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BOW WOW MEOW MEOW

IT’S RHYMING CATS AND DOGS

Florian continues his poetic exploration of the entire animal kingdom, last visited in lizards, frogs, and polliwogs (2001), with this seventh entry in his successful series, following the same distinctive format: a large, square size with each short poem facing a full-page illustration. The 21 poems (with all but one rhyming) include “Dog Log” and “Cat Chat” to introduce the reader to more general characteristics, nine poems about specific dog breeds, and one about cousin wolf. Ten additional poems are about cats, mainly larger, wild cats such as the cheetah, the ocelot, and the poetically named jaguarundi, who “likes to play in jaguarundi-wear.” Three selections are concrete poems, and a four-line poem, “The Dalmatian,” has every letter o filled in to create an additional kind of spot. Several of the poems end with a dash of Ogden Nash panache: the bloodhound with senses that are “scent-sational” or the one-line question-shaped poem about the ocelot: “Why ocelots have lots of spots puzzles ocelot.” Florian’s playful watercolor illustrations have their usual understated charm, with muted tones, bold lines, and clever touches of offbeat humor. It’s rhyming cats and dogs for sure, and the creative Florian poetic zoo continues to grow. (Poetry. 4-10)

Pub Date: April 1, 2003

ISBN: 0-15-216395-6

Page Count: 56

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2003

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MARY HAD A LITTLE LAB

Girl science power and new friendships make for a good combination.

In Fliess’ update, Mary is an inventive scientist, but she’s a lonely one.

“Mary had a little lab. / She tested and created. / While other kids were at the park, / she built and calculated.” The window of her lab provides views of the kids’ fun, and they inspire her to make a friend. Literally. She bikes to a farm for a snip of wool and heads back to use her latest invention: the Sheepinator. The resultant pet is everything she could hope for, not only providing companionship, but also helping out around the house and lab. And when he follows her to school, the kids all ask for their own wooly friends. What could possibly go wrong? Bouloubasis’ hysterical illustrations show the chaos that ensues, but the scientist and her new human friends think of a clever solution that leaves the whole town satisfied…and warm. Fliess’ verses include enough of the original poem (but tweaked) to tickle readers’ funny bones, and the rhyme and rhythm are spot-on. Mary is a wild-haired white redhead who is depicted as safety-conscious (bike helmet, ear protection, rubber gloves, etc.); the other kids are a diverse group. Most diverse (and somewhat distracting) of all are the noses on their faces—all sizes, shapes, and colors.

Girl science power and new friendships make for a good combination. (Picture book. 4-8)

Pub Date: March 1, 2018

ISBN: 978-0-8075-4982-7

Page Count: 37

Publisher: Whitman

Review Posted Online: Jan. 21, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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TOMORROW IS WAITING

There’s always tomorrow.

A lyrical message of perseverance and optimism.

The text uses direct address, which the title- and final-page illustrations suggest comes from an adult voice, to offer inspiration and encouragement. The opening spreads reads, “Tonight as you sleep, a new day stirs. / Each kiss good night is a wish for tomorrow,” as the accompanying art depicts a child with black hair and light skin asleep in a bed that’s fantastically situated in a stylized landscape of buildings, overpasses, and roadways. The effect is dreamlike, in contrast with the next illustration, of a child of color walking through a field and blowing dandelion fluff at sunrise. Until the last spread, each child depicted in a range of settings is solitary. Some visual metaphors falter in terms of credibility, as in the case of a white-appearing child using a wheelchair in an Antarctic ice cave strewn with obstacles, as the text reads “you’ll explore the world, only feeling lost in your imagination.” Others are oblique in attempted connections between text and art. How does a picture of a pale-skinned, black-haired child on a bridge in the rain evoke “first moments that will dance with you”? But the image of a child with pink skin and brown hair scaling a wall as text reads “there will be injustice that will challenge you, and it will surprise you how brave you can be” is clearer.

There’s always tomorrow. (Picture book. 4-7)

Pub Date: Jan. 8, 2019

ISBN: 978-1-101-99437-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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