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GIDEON'S SWORD

While the fun is, for the most part, worth the outlandish coincidences, exceedingly stupid adversaries and/or superhuman...

A shadowy quasi-governmental organization hires a highly resourceful art thief-turned-physicist to obtain plans for a mysterious weapon in the first book in Preston and Child’s (Fever Dream, 2010, etc.) new series.

Gideon Crew was a successful art thief until his mother, on her death bed, informed him that his father had not been the failure he’d always assumed he was, but was in fact set up to take the blame for the mistakes of his superiors. She urges him to seek revenge. After years of preparation—including getting a job as a physicist at Los Alamos—he enacts his revenge and prepares to devote his newfound free time to fly-fishing. His plans are interrupted by the appearance of a mysterious man in his favorite fishing spot, who offers him a large sum of money to take on a dangerous mission. It seems a secretive organization that does work for the Department of Homeland Security took notice of the work to avenge his father and wants to enlist him to procure the plans to a mysterious weapon being brought to New York by a possible defector from China. As part of his recruitment “pitch,” Crew is informed that he suffers from an incurable disease and has a short time to live. Faced with a dwindling set of options, Crew takes the mission and spends the next several days desperately trying to get his hands on the plans without falling into the clutches of Nodding Crane, a deadly operative sent by the Chinese to retrieve the plans—and kill anyone who gets too close to them. No reader expects Preston and Child to let too much realism get in the way of a good story—nor should they—but there are limits, and the authors sometimes exceed them.

While the fun is, for the most part, worth the outlandish coincidences, exceedingly stupid adversaries and/or superhuman feats, it is not worth it by a large margin. Still, Crew is a great character, and this series holds promise.

Pub Date: Feb. 22, 2011

ISBN: 978-0-446-56432-8

Page Count: 352

Publisher: Grand Central Publishing

Review Posted Online: Dec. 24, 2010

Kirkus Reviews Issue: Nov. 15, 2010

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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