An affectionate, informative, yet lighter-than-air look at the life and work of Joel White, the boat designer and builder who also happened to be E.B.’s son, from Whynott (Giant Bluefin, 1995). Joel White made wooden boats for over 40 years from his Brooklin Boat Yard in Maine, a place that has since become synonymous with the wooden boat revival. Though White felt that his design work was derivative, particularly of the Herreshoff’s, he was being a mite humble: the lineages of boats are always a matter of influence, as Whynott amplifies with a fistful of examples, and White left his mark with lines that are “instinctively pleasing, comfortable to rest the eye upon,” on boats that are traditional above the waterline and modern below. White had designed all manner of boat’skiffs and rowing shells, catboats and the lovely racing yacht of the title—and he fussed and tweaked each one until it was graceful, elegant in sheer line, a boat for light air or for stiff breezes. Whynott spent a lot of time with White in the months preceding the boat maker’s death, and he gathered much good material on life growing up with E.B. and Katharine White (Whynott tries not to make it sound like an idyll, but it comes across as pretty sweet, and it must have been fun to be the test pilot for Stuart Little), as well as an honest taste of a day’s measured rhythms in the boatyard. Whynott lovingly details the work being done, and the characters doing the work, on new boats and boats brought in for repair to the boatyard, now run by White’s son Steve (“it ain’t easy being the son of Saint Joe,” says a friend about flak Steve got for changing a few things). White emerges from Whynott’s delightful pages as an old soul as free-spirited and inspired as any character in his father’s books.
Pub Date: April 1, 1999
ISBN: 0-385-48812-2
Page Count: 320
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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