Of more lasting interest to scholars than children, this genial pet-shop visit provides a tantalizing glimpse into a...
Almost 25 years after the death of the great Dr. Seuss, a new book hits the market.
“We want a pet. / We want a pet. / What kind of pet / should we get?” So begins the narrator and his sister’s visit to a pet store, where they find themselves torn among a bevy of cute, furry creatures including cats, dogs, rabbits, and fish, as well as some “new things.” As presented in the lengthy publisher’s note that follows the story, this newly unearthed picture book likely dates to the late 1950s or early ’60s and has been reconstructed from finished art and multiple iterations of draft revisions. The result is a far more satisfying experience than such other posthumous Seuss publications as Horton and the Kwuggerbug and More Lost Stories (2014) and The Bippolo Seed and Other Lost Stories (2011), which paired more or less finished stories with a few pieces of art. This new-old book presents a complete storyline with a pleasing balance of text and art featuring, on average, one quatrain per page. Unfortunately, it still has a fairly unfinished feel. It’s hard to imagine that the notoriously finicky—admirably so—author would have been entirely happy with the occasionally lackluster and stumbling verse. Moreover, while the illustrations demonstrate an intensifying looniness, progressing from cats and dogs to Seuss’ trademark, unidentifiable rubber-limbed, mop-topped creatures, the text does not keep pace. The “yent” and the “fast kind of thing / who would fly round my head / in a ring on a string” the brother considers feel like first steps toward zaniness rather than a finished artistic vision. The concluding note likewise suffers from a lack of unity, offering an earnest exhortation to eschew pet shops for shelter adoption, a survey of the dogs in Theodor Geisel’s life, and the process art director Cathy Goldsmith followed in turning the newfound manuscript into a book.
Of more lasting interest to scholars than children, this genial pet-shop visit provides a tantalizing glimpse into a master’s artistic process. (Picture book. 3 & up)Pub Date: July 28, 2015
ISBN: 978-0-553-52426-0
Page Count: 48
Publisher: Random House
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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