Magary has created a smartly realized vision of a planet that’s hit the skids, but it could use more interesting residents.
One man blogs civilization’s slow, terrifying decline after a cure for aging is discovered.
In 2011, an Oregon scientist discovered the precise genetic location of the trigger for aging, clearing the way to bring a halt to growing old. In 2019, when Magary’s debut novel opens, narrator John Farrell is one of the growing number of people who’ve surreptitiously signed up for the illegal "cure." He’s an easygoing attorney who hasn’t paid close attention to the religious and political furor the cure has caused, but that changes when his roommate is killed in a terrorist attack on the office of a doctor delivering the treatment. At first this brave new world seems mildly comic: John helps set up term limits for married couples who didn’t anticipate that “till death do us part” might take well over a century, and he considers what the cure means for sports records. But in the decades after the cure is legalized, the planet becomes rapidly overpopulated and the story turns dystopian, with John becoming an “end specialist” who helps euthanize people who find deathlessness a grind. Magary is blogger for the sports sites Deadspin and Kissing Suzy Kolber, and the blog format serves him well in the early sections of the novel: It allows him to integrate newspaper articles that set the scene, and he gives John an engaging, quick-witted voice. Trickier for the author are matters of deeper characterization and tone: John’s romantic entanglements and heartbreaks are swallowed up by the events around him, and the closing chapters make ungainly shifts between apocalyptic realism and Grand Guignol horror scenes. In a way, he’s imagined this milieu all too well, making the reader more interested in the world’s end than the people trying to survive it.
Magary has created a smartly realized vision of a planet that’s hit the skids, but it could use more interesting residents.Pub Date: Aug. 30, 2011
ISBN: 978-0-14-311982-1
Page Count: 384
Publisher: Penguin
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
BOOK REVIEW
BOOK REVIEW
Top-flight fantasy collection based on Gaiman's character The Sandman, developed in a series of graphic novels for DC Comics, as reimagined by a strong group of fantasists. Long-lived comics readers will remember fondly the original "Sandman" from the 1930s and '40s, with his fedora, googly-eyed gas mask and gas gun; Frank McConnell discusses this precursor in his preface while hauling in Joyce, Nietzsche, Ibsen, Jung, and Wallace Stevens to dress up Gaiman's stow-parentage. Inventing his own lore for the character, Gaiman (1990's hilariously naughty Good Omens, with Terry Pratchett) wrote 75 installments of The Sandman before closing shop. Awash with watercolors and supersaturated with acid, The Sandman stories are stories about storytelling, celebrations of the outr‚ imagination. The central character of Gaiman's work evolved into a figure variously known as Dream, or Morpheus, or the Shaper, or the Lord of Dreams and Prince of Stories, and his surreal family is called the Endless, composed of seven siblings named Destiny, Death, Dream, Destruction, Desire, Despair, and Delirium. Drawing on Gaiman's inkwell are Clive Barker (frontispiece but no story), Gene Wolfe and Nancy A. Collins, and a number of lesser lights, all in top form. George Alec Effinger invents a long tale inspired by Winsor McCay's classic comic strip "Little Nemo" ("Seven Nights in Slumberland"), while Colin Greenland ("Masquerade and High Water"), Mark Kreighbaum ("The Gate of Gold"), Susanna Clarke ("Stopt-Clock Yard"), and Karen Haber (in the outstanding "A Bone Dry Place," about a suicide crisis center) mainline directly from the ranks of the Endless. Rosettes to all, but especially to John M. Ford's "Chain Home, Low," which ties an onslaught of sleeping sickness to the fate of WW II fighter pilots, and to Will Shetterly's "Splatter," about a fan-convention of serial killers who lead their favorite novelist (famous for his depictions of psychopathic murderers) into the real world of serial-killing. Fancy unleashed on rags of moonlight.
Pub Date: Aug. 1, 1996
ISBN: 0-06-100833-8
Page Count: 304
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1996
Unabashedly over the top at times but, still, a saga that gives rise to as much amusement as it does sober reflection. A...
In a witty, wacky, and endlessly erudite debut, DeWitt assembles everything from letters of the Greek alphabet to Fourier analysis to tell the tale of a boy prodigy, stuffed with knowledge beyond his years but frustrated by his mother’s refusal to identify his father.
Sibylla and five-year-old Ludovic are quite a pair, riding round and round on the Circle Line in London’s Underground while he reads the Odyssey in the original and she copes with the inevitable remarks by fellow passengers. Sibylla, an expatriate American making a living as a typist, herself possesses formidable intelligence, but her eccentricities are just as noteworthy. Believing Kurosawa’s Seven Samurai to be a film without peer, she watches it day after day, year after year, while in the one-night stand with Ludo’s father-to-be, she wound up in bed with him for no better reason than it wouldn’t have been polite not to, although subsequently she has nothing but scorn for his utterly conventional (if successful) travel books. Ludo she keeps in the dark about his patrimony, feeding him instead new languages at the rate of one or two a year, and, when an effort to put him in school with others his age wreaks havoc on the class, she resumes responsibility for his education, which, not surprisingly, relies heavily on Kurosawa’s film. As Ludo grows up, however, he will not be denied knowledge of his father, and sniffs him out—only to be as disappointed with him as his mother is. Hopes of happiness with the genuine article having been dashed, Ludo moves on to ideal candidates, and approaches a succession of geniuses, each time with a claim of being the man’s son. While these efforts are enlightening, they are also futile—and in one case tragic—until Ludo finds his match in one who knows the dialogue of Seven Samurai almost as well as he does.
Unabashedly over the top at times but, still, a saga that gives rise to as much amusement as it does sober reflection. A promising start, indeed.Pub Date: Sept. 1, 2000
ISBN: 0-7868-6668-3
Page Count: 544
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2000
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
