Next book

SLAPHAPPY

This dark comedy effectively lampoons unscrupulous reality-show creators and their hungry audiences.

In Brown’s debut satirical novel, a low-rent web series host becomes a faith healer.

Bruiser hosts the popular Atlanta-based internet game show “Greed.” He and a small crew run around the city to find people willing to undertake risqué dares for cash. Most of these dares involve sexual acts or activities that would repulse many of the captivated viewers, such as contestants’ licking unappealing items. When Bruiser himself takes part in the game, it ends with a slap to his face that knocks him out for two days. When he awakens, he feels different, starting with his apparent ability to hear others’ thoughts. And there’s more: When he slaps someone (which he does on “Greed” when contestants fail to complete dares), he astonishingly heals such ailments as cancer and cerebral palsy. Predictably, his boss sees nothing but dollar signs and offers Bruiser an entirely new series based on this phenomenon. People flock to Bruiser as if he were an evangelist, and he, with cameras rolling, moves from person to person, healing each one. Unfortunately, this ability has its downsides—those craving his healing slap practically mob him. There are also the shadows, which only Bruiser sees, that escape a body every time he heals someone; his healing light may very well be inviting more darkness into the world.

Ultra-black humor permeates this story. Much of what Bruiser pays “Greed” contestants to do is distasteful and clearly only done for money. He likewise revels, at least initially, in such excesses as cocaine and alcohol. The author offsets these acts with a gleeful lexicon of slang for sex, drugs, and body parts, referring to contestants who “plowed the field” and an individual’s very intimate “sand trap.” The text is loaded with banter between Bruiser and his personable crew, including longtime friend/producer Dick, cameraman Less, and Less’ twin sister, Leslie, the production’s editor. While character development is nominal, readers eventually get pieces of Bruiser’s backstory: He, for whatever reason, doesn’t have the best relationship with his mother and rejects his birth name, as it’s his father’s. His sister provides further mystery, as she did something in the past to incense the FBI and now seems to be missing. Brown deepens Bruiser’s mysterious ability with surreal turns: Bruiser experiences vivid dreams of otherworldly landscapes that appear safer than the real world, and there are instances when it’s not so easy, for Bruiser or readers, to distinguish reality from his dreams (“The wall glitches, returning to space, and looking to fill an empty space in his mind, he asks, ‘What happened after that?’ There’s another glitch and the wall returns to just being a wall. He closes his eyes and breathes in, thinking, ‘Maybe if I fall asleep here, I’ll wake up there’ ”). The final act takes an unexpected direction, primarily to offer some kind of explanation regarding the healing ability. It’s a truly bizarre development, as it introduces new characters, more violence, and a tie to someone in Bruiser’s past. At the same time, it fits right in line with the overall narrative and pays off with a worthy open ending.

This dark comedy effectively lampoons unscrupulous reality-show creators and their hungry audiences.

Pub Date: N/A

ISBN: N/A

Page Count: 352

Publisher: Manuscript

Review Posted Online: May 24, 2023

Categories:
Next book

MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 38


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Awards & Accolades

Likes

  • Readers Vote
  • 38


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

Close Quickview