An utterly self-absorbed British teen scrivens her frustrations with the rest of the world in her slang-filled diary, all the while blissfully ignorant of the real chaos around her. Sound familiar? Janet Bandry is distinguished from Georgia Nicolson by her pretensions toward intellectualism: she and her best friend have decided to celebrate the new year by entering what they call the Dark Phase. What the Dark Phase means to Janet is wearing black, dying her hair purple, listening to jazz, and attempting to read The Outsider (“it was about three thousand pages shorter than Ulysses”). Janet’s family includes her mother, the Mad Cow; her psychiatrist father, Sigmund; her photographer brother, Geek Boy; her lesbian feminist aunt, Sappho; and her Bible-thumping ex-spy Nan, all of whom represent tedious obstacles to Janet’s pursuit of passion, in the person of the dashing vegetarian Elvin. In Sheldon’s (Confessions of a Teenage Drama Queen, 1999, etc.) hands, Janet’s general numbness results in some truly hilarious passages, but it also can be painful to witness. What the reader knows long before Janet is that her parents’ marriage is on the rocks: “Came home to find the female parent IN MY ROOM! She was lying on my bed! I was highly indignant, I can tell you. Not only was this a MAJOR breach of my privacy, but her eyes were all red and she was sniffling like she was coming down with something. She’d better not be infecting me with her germs.” The constant irony between Janet’s unbelievably obtuse reportage and the actual events readers discern below the surface sounds a one-note chorus that wears thin. Janet worries to her diary “about becoming as shallow and pointless as the rest of [her] family.” While this offering provides undeniable chuckles (aided by discriminating use of typefaces for emphasis), one is left wondering whether it is itself rather shallow and pointless. But it will certainly find an audience. (Fiction. 12+)
Pub Date: Feb. 1, 2003
ISBN: 0-7636-2048-3
Page Count: 240
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2003
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A contemporary hero’s journey, brilliantly told.
The 17-year-old son of a troubled rock star is determined to find his own way in life and love.
On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.
A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)Pub Date: Aug. 1, 2017
ISBN: 978-0-310-76183-9
Page Count: 464
Publisher: Blink
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
PERSPECTIVES
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