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NEW AMERICAN BLUES

A JOURNEY THROUGH POVERTY TO DEMOCRACY

Sociologist Shorris (Latinos, 1992, etc.) uses anecdotal evidence to humanize this overview of poverty in America while presenting his own very personal point of view on how to remedy it. The result of traveling the country and viewing the worst of American poverty, this study offers views of often ignored impoverished areas (e.g., northern Florida, Jewish Brooklyn) as well as the heavily scrutinized inner city. Shorris coins a unique terminology to define and unite these disparate scenarios—he speaks of the ``surround of force,'' the word ``force'' implying not violence, but the pressures (drugs, hunger, inadequate health care) that plague nearly all poor people. Furthermore, Shorris is careful to make the distinction between ``relative'' and ``absolute'' poverty, noting that American poverty is relative because, via the medium of television, poor Americans are able to see their nonimpoverished countrymen. Shorris's background in academics and philosophy (he was a teenage scholarship student at the University of Chicago in the late 1950s) is apparent, not only through his Aristotelian belief that a political life is the remedy for the problem at hand, but also in his thesis (put to the test in the so-called Clemente Course that he documents in the book's second half) that an education in the humanities could be the solution to multigenerational poverty. While it has become a bit of a truism that only education can truly help the poor, Shorris's innovation is in his emphasis on a liberal education on the order of the Chicago curriculum as he experienced it. While Shorris chooses some curious enemies (for example, while approving of New Deal programs that put the poor to work, he criticizes President Clinton for supporting workfare) and shows his age with his inability to understand inner-city artistic forms like graffiti and hip-hop, he genuinely cares—a characteristic noticeably lacking in many who claim to want to eliminate poverty. (First serial to Harper's)

Pub Date: Oct. 1, 1997

ISBN: 0-393-04554-4

Page Count: 576

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1997

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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