A sensibly holistic approach to modern geoarchaeology. (Two 16-page b&w photo inserts)
Talented geoarchaeologist Zangger (The Flood from Heaven, 1992, etc.) provides an engrossing overview of the changes in our understanding of Aegean prehistory.
It was standard for many decades to blame the collapse of Minoan high culture on the eruption of Thera, and to attribute the ends of Mycenae and Troy similarly to natural catastrophes. But Zangger's particular bailiwick, the period between the production of the first tools and the beginning of classical antiquity, has undergone significant development over the past few years that has sent the simple catastrophic theories packing as single explanations for calamitous cultural moments. In energetic prose, he tells of geoarchaeologists bringing aboard other scientists—palaeo-ecologists, soil specialists, hydrologists, and archaeozoologists—to circumvent the problems associated with specialization and “to combine the data gathered into a single panoramic view of landscape and culture,” uncovering vital but gradual aspects of change that might include climate, migration, the great wars of 1200 b.c., the invasions of the Sea People, and the breakdown in land management. As much as Zangger admires the introduction of high tech and rarified mathematics to geoarchaeology, he is also deeply humanist and will never forego fieldwork (which includes a lot of “sitting on high viewpoints, looking at the landscape, and pondering”) as a research tool. He also firmly believes in two old chestnuts: that a fresh eye can provide unexpected insights (“the circle of obvious experts does not always include the people best able to solve a problem”) and that troublemakers and dissidents make the world of research go round (which is why he ponders at length the idea that Troy may be Atlantis). This touch of fustiness may also explain his occasional nationalist utterings, understandably disquieting to some, such as, “Traditional archaeology and neoclassical thinking were largely molded by German scholars. . . . In the twentieth century, Germany has lost its leading role. With a little courage it could win it back in the twenty-first.”
A sensibly holistic approach to modern geoarchaeology. (Two 16-page b&w photo inserts)Pub Date: May 15, 2003
ISBN: 0-75381-367-X
Page Count: 270
Publisher: Phoenix/Trafalgar
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 15, 2003
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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