A gently humorous survey of bad ideas and unforced errors.
Failure is funny—and heartening.
Helms’ compendium of high-profile miscalculations—from the Beanie Baby bubble to a sunken Soviet submarine—is dotted with wry observations and outright groaners. An offshoot of the comedian-author's popular podcast, this book reflects his hunt for "retroactive comedy," which left him "optimistic" in unstable times: “We’ve been here before, and we’ll get through this, too.” The same can’t be said of Acoustic Kitty. Under a secret 1960s project by that name, the CIA implanted a microphone in a cat’s ear, vainly hoping to eavesdrop on adversaries. According to one agency staffer, the multimillion-dollar project was scrapped when a car hit the first A.K. Cold War technological folly provides Helms with tons more material. A toymaker put uranium in a children’s science kit. The U.S. military inadvertently dropped a bomb on South Carolina, fortunately killing no one. “Rich weirdo” Howard Hughes helped the CIA build a huge mechanical claw in a failed effort to scoop a disabled Russian sub off the ocean floor. Expensive mishaps are firmly within Helms’ wheelhouse. His look at the “crash” of the Beanie Baby market—relative scarcity ballooned prices for the 1990s toy—features a soap-opera actor who spent $100,000 on “an ill-planned attempt to pay for” college tuition. Another recent mess-up—a failure to convert English measurement units to metric—caused NASA’s Mars Climate Orbiter to blow up. “That is so dumb,” observed one space expert. Helms’ observations are gentler. He quips that a scientist lost the Mars satellite because he’d “forgotten to upgrade his PC to Windows 98.” For its part, the Army, he kids, was probably jealous of the Air Force’s missiles: “Come onnnnnn. They get all the cool toys.” Fortunately, his factual narratives are better than his jokes.
A gently humorous survey of bad ideas and unforced errors.Pub Date: April 29, 2025
ISBN: 9781538769478
Page Count: 288
Publisher: Grand Central Publishing
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
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