This book has all the gripping power of dull blades.
An introduction to the game of hockey for the newest of newcomers.
Sports Illustrated for Kids here endeavors to lay out the objective and rules of hockey, and while the fundamentals of the sport are addressed, the book fails to capture its essence. Cutout photographs of players, presumably from SI’s vast archive, engaged in some particular action—a face-off, a check, a pass, a save, a slap shot—are pasted onto fields of retina-burning color, thus erasing any sense of the action taking place in a rink, let alone on ice. In an effort to get all the different pro teams in on the action, there is little continuity—one player shoots, but another scores; one gets a penalty, but another enters the penalty box. The sparse text is able to explain icing and offside, but that’s almost hidden in the delivery. While the little, manic, white cartoon character that accompanies each spread can be embraced or ignored, what can’t be overlooked are the pointless and even irksome speech and thought bubbles digitally collaged into the compositions: “Did you notice that Corey has spinach in his teeth?” “Is that my Aunt Mary sitting in the stands?” (The latter occurs to a player in the middle of a check.) Hockey is commotion when not mayhem, with episodes of grace and finesse, but all that is absent in these pages.
This book has all the gripping power of dull blades. (Informational picture book. 4-8)Pub Date: Sept. 20, 2016
ISBN: 978-1-61893-177-1
Page Count: 48
Publisher: Liberty Street/Time Inc. Books
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.”
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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