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UPSTATE

RECORDS AND RECOLLECTIONS OF NORTHERN NEW YORK (NEW YORK CLASSICS)

Anouilh once said "When you're forty, half of you belongs to the past — and when you are seventy, nearly all of you." Mr. Wilson's retrospective belongs wholly to that past and, except for the initial section dealing with a still earlier one, it is based on the diaries he kept during the last twenty years which he has converted here into a book — "a last effort to fill a vacuum"? In the beginning all seems lenitive and harmonious as he writes about the upstate New York countryside, "beautiful but now empty," with perhaps a "cold storage" quality but still the house and landscape where he belongs — it is his "pied a terre in stability." At the end too there are spot touches which are reciprocally saddening as one contemplates the reductions of old age (his heart, his hearing, and of course his teeth), his estrangement from the small community in which he lives, and his difficulties with so many people, even Elena his friend of twenty years on whom he is admittedly dependent. In fact Mr. Wilson is often unpleasantly contentious with apparently very few "raisons que la raison ne connait pas." He is uncharitable toward almost all the friends and compeers of his life: nitpicking with Nabokov whose arrogance he shares; commenting on the death of Hemingway "absurd and insufferable though he often was," and Thurber's after his "vastations"; he is even minimizing about his other very good friend Helen's cancer; and of course sometimes he is wickedly funny — Walter Edmonds reading only historical novels "as if following the stock market of his own investments." At the outset there is a tribute to his cousin, Dorothy Mendenhall, who became one of the first woman doctors and she is heard saying "the worst thing about old age is the rapidity with which your periphery shrinks." Mr. Wilson is aware of it even if he makes few concessions to that diminishing world of his experiences and relationships. You will find him antipatico which is just where the tattletale quotient of this memoir is heightened; but then, after faulting Van Wyck Brooks for paying too much attention to all the reviews of his books, you will find it depressing to think of Mr. Wilson getting up at four o'clock in the morning to read "old reviews of my books.

Pub Date: Aug. 1, 1971

ISBN: 0815624999

Page Count: 436

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 14, 2011

Kirkus Reviews Issue: Aug. 1, 1971

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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