by Edmund Wilson ‧ RELEASE DATE: Aug. 1, 1971
Anouilh once said "When you're forty, half of you belongs to the past — and when you are seventy, nearly all of you." Mr. Wilson's retrospective belongs wholly to that past and, except for the initial section dealing with a still earlier one, it is based on the diaries he kept during the last twenty years which he has converted here into a book — "a last effort to fill a vacuum"? In the beginning all seems lenitive and harmonious as he writes about the upstate New York countryside, "beautiful but now empty," with perhaps a "cold storage" quality but still the house and landscape where he belongs — it is his "pied a terre in stability." At the end too there are spot touches which are reciprocally saddening as one contemplates the reductions of old age (his heart, his hearing, and of course his teeth), his estrangement from the small community in which he lives, and his difficulties with so many people, even Elena his friend of twenty years on whom he is admittedly dependent. In fact Mr. Wilson is often unpleasantly contentious with apparently very few "raisons que la raison ne connait pas." He is uncharitable toward almost all the friends and compeers of his life: nitpicking with Nabokov whose arrogance he shares; commenting on the death of Hemingway "absurd and insufferable though he often was," and Thurber's after his "vastations"; he is even minimizing about his other very good friend Helen's cancer; and of course sometimes he is wickedly funny — Walter Edmonds reading only historical novels "as if following the stock market of his own investments." At the outset there is a tribute to his cousin, Dorothy Mendenhall, who became one of the first woman doctors and she is heard saying "the worst thing about old age is the rapidity with which your periphery shrinks." Mr. Wilson is aware of it even if he makes few concessions to that diminishing world of his experiences and relationships. You will find him antipatico which is just where the tattletale quotient of this memoir is heightened; but then, after faulting Van Wyck Brooks for paying too much attention to all the reviews of his books, you will find it depressing to think of Mr. Wilson getting up at four o'clock in the morning to read "old reviews of my books.
Pub Date: Aug. 1, 1971
ISBN: 0815624999
Page Count: 436
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 14, 2011
Kirkus Reviews Issue: Aug. 1, 1971
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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