A compelling debut, tracing a direct line from women in the past to those in the present.
Anna Thalberg is the red-haired peasant woman at the center of this witch trial, set in the Holy Roman Empire during the Protestant Reformation.
Resented by the villagers for her otherworldly beauty, Anna is accused of witchcraft by a jealous neighbor who suspects that darkness lurks underneath her good looks. Dragged from her home, Anna finds herself locked in a prison tower in the nearby city of Würzburg. The only people determined to prove her innocence are her husband, Klaus, and Father Friedrich, a Catholic priest navigating his own crisis of faith. Isolated in her cell, Anna is tortured by a sadistic guard as Klaus and Friedrich appeal desperately to the powerful men holding her there; Anna will burn at the stake should they fail. Outside the prison, reports of strange goings-on within Würzburg’s city walls are growing. Religious persecution, the dangers posed by spreading superstition, and the myriad ways in which characters suffer can make this book feel bleak—but the suspense of Anna’s dwindling time propels it relentlessly forward. Although on the surface this is a novel concerned with the supernatural, its underlying concerns are about the historical oppression of women, the dehumanizing effects of institutions, the mundanity of evil, and—at its core—the question whether God truly exists. The author sometimes adopts a deliberately jarring, offbeat rhythm to shake the reader out of the reverie his often-poetic text may lull them into. With echoes of Olga Tokarczuk’s The Books of Jacob and A.K. Blakemore’s The Manningtree Witches, Mexican author Sangarcía’s debut novel draws on themes that continue to inspire authors across the world. Challenging the reader to reflect on who wields power and the ways women are still subjected to violence, Sangarcía illuminates the connection between Anna’s plight and that of women fighting for autonomy today.
A compelling debut, tracing a direct line from women in the past to those in the present.Pub Date: Sept. 10, 2024
ISBN: 9781632063731
Page Count: 176
Publisher: Restless Books
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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