This sweet and silly story is about friendship and making the best of what you’ve got.
A modern twist on “The Gingerbread Man,” with Fox chasing the Sugar Cookie Man through Christmastown.
The Land of Holiday Treats is peopled with smiling cupcakes, cookies, and other sweets that bustle through the festive town. The action begins when out of the Christmastown bakery flies a very cute cookie past Fox, saying “Run, run, as fast as you can! / You can’t catch me—I’m the Sugar Cookie Man!” Fox gives chase and catches up to him quickly only to discover, to the surprise of them both, that the Sugar Cookie Man isn’t sweet at all—instead, he’s a terrible-tasting, tough cookie. Fox tries to cheer the distraught baked good up with “sugary sweet Christmas carols” and by sprinkling him with sugar, to no avail. It turns out that the Sugar Cookie Man is actually a tree ornament and not meant for eating. In tone and style, this book is reminiscent of Lane Smith and Jon Scieszka’s fairy-tale retellings, though with less wisecracking. The fun is in the size of the round-eyed characters, the icinglike pastel colors, the layout and pacing of the storyline on the page, and the variety of candy and cookie characters, all smiling away. The author, a grandson of Ernest Hemingway, provides recipes for tough cookies (edible) and tough cookie ornaments (nonedible).
This sweet and silly story is about friendship and making the best of what you’ve got. (Picture book. 4-7)Pub Date: Sept. 11, 2018
ISBN: 978-1-62779-441-1
Page Count: 40
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity.
A holiday-centered spinoff from the duo behind the inspired The Day the Crayons Quit (2013).
With Green Crayon on vacation, how can the waxy ones pull off a colorful St. Patrick’s Day celebration with Duncan, their (unseen) owner? Through their signature combo of cooperation and unwavering enthusiasm, of course. Blue and Yellow collaborate on a field of shamrocks that blends—however spottily—into green. Nearly invisible White Crayon supplies an otherwise unclothed light-skinned leprechaun with undies, and Orange draws a pair of pants that match the wee creature’s iconic beard and hair. Pink applies colors to a vest, and Purple, a natty jacket and boots. Chunky Toddler Crayon contributes a “perfect” scribbly blue hat; Beige and Brown team up for the leprechaun’s harp. In arguably the best bit, Black exuberantly manifests a decidedly unvariegated rainbow, while Gold’s pot of coins is right on the money, hue-wise. Their ardor undimmed by the holiday’s missing customary color, everyone assembles to party. Though the repartee among the crayons isn’t as developed as in previous outings, the book hews close to Daywalt and Jeffers’ winning formula, and there’s still enough here to keep readers chuckling. And, in a droll “wait for it” moment nicely calibrated for storytime, Green returns from vacation, sunglasses and suitcase in hand: “Did I miss anything while I was gone?” (The cover illustrations do hint at some Green-inflected remediation.)
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity. (Picture book. 4-6)Pub Date: Jan. 2, 2024
ISBN: 9780593624333
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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