Forri, the best village baker in the town of Ettai, makes some pretty oddly shaped loaves—they look like keys, fish, roots, roses. For his inspired efforts he is spurned by the townfolk. But he proves himself a crack military tactician when the underarmed town is beseiged by barbarians. Forri concocts lances, spears, swords, and shields of bread; to the invaders looking on in early morning's half-light, the place is simply bristling with weaponry. They retreat and the townspeople break bread (the weapons) together. A superb book in both word and art; Natchev's watercolors marvelously summon the Middle Ages. Creative types and/or sensitive readers may balk at the moral, that acceptance is gained only after heroic feats are performed. Still, it's nice to see the underdog pull one off, and the work on the whole resonates with good humor. (Picture book. 4-8)
Pub Date: March 1, 1995
ISBN: 0-8037-1396-7
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1995
Mildly amusing, but something of a one-trick pony.
In this tech-savvy parody of the contemporary classic If You Give a Mouse a Cookie, a hyperactive pet mouse named Applesauce goes off the deep end (literally) while mesmerized with his boy’s iPhone.
Like many a harried caregiver, the boy—who’s finalizing preparations for a special outing to the “wild animal amusement park” with Applesauce—gives the persistently pesky mouse his iPhone as a diversion. Big mistake! Applesauce’s glassy-eyed absorption with the device results in utter mayhem. Oblivious to the roller coaster, tempting junk food and exotic animals at the amusement park, the tap-tap-tapping mouse inadvertently frees the animals from their cages and walks off a cliff. Hitching a ride with some conveniently passing porpoises, he winds up on a “distant island.” The boy arrives to rescue Applesauce, and the pair camp overnight. With no outlets or charger for the dead phone, Applesauce undergoes brief but dramatic withdrawal symptoms, which end with a marshmallow roast. “Ann Droyd”—aka David Milgrim—adopts the original text’s conditional, “if / then” formula but doesn’t attempt its exquisitely circular structure. Cartoony illustrations employ flat blues, grays and greens contoured in black, with word bubbles for dialogue. As Applesauce and his boy stargaze, the mouse asks, “By the way, how’d we get here?”
Mildly amusing, but something of a one-trick pony. (Picture book. 4-7)Pub Date: Oct. 21, 2014
ISBN: 978-0-399-16926-7
Page Count: 40
Publisher: Blue Rider Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
None
Exuding her usual air of competence, Ms. Frizzle drives the magic school bus to the beach, over the sand, and into the waves to take her wisecracking class on a tour of an intertidal zone, the continental shelf, the deep sea bottom, and a coral reef. Degen's paintings feature plenty of colorful (and unobtrusively labeled) sea life. As always, the pace is breathless, the facts well chosen, the excitement of scientific study neatly evoked, and Ms. Frizzle's wardrobe equal to every extraordinary occasion. At the end, her students assemble a bulletin board chart to summarize their observations and—apparently in response to adult anxieties—Cole closes with a quiz clarifying the difference between fact and fiction in the story. Yes, it's a formula, but a winning one. (Nonfiction. 6-8)
None NonePub Date: Sept. 1, 1992
ISBN: 0-590-41430-5
Page Count: 48
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1992
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