Next book

VIDAS

DEEP IN MEXICO AND SPAIN

An engaging coming-of-age account that explores manhood across cultural boundaries.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A memoir chronicles a young man’s travels in Mexico and Spain.

In this book, Stanton recounts his experiences with the Spanish language and Spanish-speaking countries. The early chapters are set in his 1950s California childhood, where he learned both idiomatic Spanish and a sense of masculinity through his interactions with undocumented Mexican immigrants. When the author reached his teen years, he ventured into the seediness of Tijuana, Mexico, visiting local sex workers and conversing with them, losing his virginity in the process. Later, he spent time living in other parts of Mexico. After college, he made his first visit to Spain, where he stayed for a while, returning in later years. The book delves into the cultural and political aspects of his travels—for instance, Stanton takes note of the repression of Franco’s government during the author’s early years in Spain and contrasts it with the socio-economic changes he found on his post-divorce visit more than a decade later. The work also examines the lessons in community and identity, particularly what it means to be a man, that Stanton absorbed through his cultural exchanges. The author is a lyrical writer (“More than immigrants they were like swallows migrating to California from their winter roost in Jalisco”), adopting a tone that suits the work’s nostalgic mood. Descriptions of his participation in iconic events, such as the running of the bulls or his first bullfight, are elegant and stand up to the inevitable comparisons to Steinbeck and Hemingway, who makes his own appearances throughout the text. Stanton employs the second person in his memoir, an unusual stylistic choice (“Your room opened onto the light-filled patio”), though there are awkward detours into other point-of-view language that can be slightly jarring (“As we watched those corridas, your friend taught you most of what you know about the bulls and the men who meet them”). The female characters, while plentiful and active in the narrative, do tend to feel secondary to the volume’s very male perspective. But as a story focused on the lives and experiences of men, the book achieves its goal and provides an enjoyable reading experience.

An engaging coming-of-age account that explores manhood across cultural boundaries.

Pub Date: N/A

ISBN: 978-1-949003-47-5

Page Count: 248

Publisher: Waterside Productions

Review Posted Online: Dec. 9, 2020

Kirkus Reviews Issue: Jan. 15, 2021

Awards & Accolades

Likes

  • Readers Vote
  • 34


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Awards & Accolades

Likes

  • Readers Vote
  • 34


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

Next book

POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

Close Quickview