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A MEMOIR

Said’s compassionate and lyrical memoir explores his feelings of displacement in both his cultural setting and his family, revealing the roots of his intellectual, political, and personal unfolding. A distinguished cultural critic (The Politics of Dispossession, 1994, etc.), Said has gained a reputation as a bold intellectual and a noted spokesperson for the Palestinian cause. Faced with a diagnosis of leukemia in 1991, Said decided to recapture the world of his early childhood in Palestine, Egypt, and Lebanon, followed by what turned out to be a permanent move to the US. The result is a “record of an essentially lost or forgotten world.” This is a bittersweet memoir of a boyhood in a sleepy summer town in Lebanon, of the cosmopolitan, colonial world of Cairo in the “40s and “50s, and of the dramatic changes in Palestine before Israel gained statehood. It’s also the story of Said’s early sense of alienation, the distinct (and eventually cherished) feeling of being an outsider. A Christian Palestinian in Cairo with a proper British name and a father with American citizenship, the young Said felt out of place early on. Said is an insightful and close observer of the details of daily life that create an entire mood in a people or family. The subject of his own family—a pampered and eerily sheltered group—is equally central to Said’s critical yet tender account of his growth from the confused and insecure “Edward” (a creation of his parents) into an emotionally and intellectually mature man. Said devotes enormous lyrical and emotional energy to presenting his parents’ role in his life, describing in heart-wrenching detail the domineering father and the influential, manipulative mother who watched his every move. Both culturally and emotionally, maturity for Said could only come from a separation from his early life. A beautiful and moving account that stands on its own as a classic in the art of memoir and as a key to understanding the genesis of Said’s intellectual work.

Pub Date: Sept. 24, 1999

ISBN: 0-394-58739-1

Page Count: 352

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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