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A MEMOIR

Said’s compassionate and lyrical memoir explores his feelings of displacement in both his cultural setting and his family, revealing the roots of his intellectual, political, and personal unfolding. A distinguished cultural critic (The Politics of Dispossession, 1994, etc.), Said has gained a reputation as a bold intellectual and a noted spokesperson for the Palestinian cause. Faced with a diagnosis of leukemia in 1991, Said decided to recapture the world of his early childhood in Palestine, Egypt, and Lebanon, followed by what turned out to be a permanent move to the US. The result is a “record of an essentially lost or forgotten world.” This is a bittersweet memoir of a boyhood in a sleepy summer town in Lebanon, of the cosmopolitan, colonial world of Cairo in the “40s and “50s, and of the dramatic changes in Palestine before Israel gained statehood. It’s also the story of Said’s early sense of alienation, the distinct (and eventually cherished) feeling of being an outsider. A Christian Palestinian in Cairo with a proper British name and a father with American citizenship, the young Said felt out of place early on. Said is an insightful and close observer of the details of daily life that create an entire mood in a people or family. The subject of his own family—a pampered and eerily sheltered group—is equally central to Said’s critical yet tender account of his growth from the confused and insecure “Edward” (a creation of his parents) into an emotionally and intellectually mature man. Said devotes enormous lyrical and emotional energy to presenting his parents’ role in his life, describing in heart-wrenching detail the domineering father and the influential, manipulative mother who watched his every move. Both culturally and emotionally, maturity for Said could only come from a separation from his early life. A beautiful and moving account that stands on its own as a classic in the art of memoir and as a key to understanding the genesis of Said’s intellectual work.

Pub Date: Sept. 24, 1999

ISBN: 0-394-58739-1

Page Count: 352

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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