by E.E. Cummings & illustrated by Chris Raschka ‧ RELEASE DATE: Sept. 1, 2001
The little fir tree goes to town: Cummings’s poem about a Christmas tree serves as the inspiration for a little story about a little fir tree who wants nothing so much as to find “a new life, his dream life, in a far, far away place.” The full poem appears on one page, to be followed by Raschka’s (Waffle, p. 504, etc.) narrative expansion upon it. In muted green-and-yellow illustrations reminiscent of Chagall stained-glass windows, readers see a small gent who looks a lot like Santa Claus. He loads the little tree onto a flatbed (we are spared the cutting-down) to take it to the city, where a “little boy, a little girl, a little mother and father and their little dog walked up and down the little streets of the little big city, looking and looking for their own special, just right, one and only, perfect little tree.” If the substance of the story comes from Cummings, its delivery comes straight from Margaret Wise Brown, with loads of repetition and an almost hypnotic rhythm. Hand-drawn panels are packed with detail in what seems to be an almost Cubist attempt to portray every aspect of the city in one fell swoop. The human figures are uncomplicated and childlike, befitting this simple, winning story about how this one little tree finds “his own special place in the world, a place that was waiting for him all his life.” (Picture book. 3-8)
Pub Date: Sept. 1, 2001
ISBN: 0-7868-0795-4
Page Count: 32
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
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More by E.E. Cummings
BOOK REVIEW
by E.E. Cummings & illustrated by Christopher Myers
by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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BOOK REVIEW
by James Dean & Kimberly Dean ; illustrated by James Dean
BOOK REVIEW
by Kimberly Dean ; illustrated by James Dean
BOOK REVIEW
by James Dean & Kimberly Dean ; illustrated by James Dean
by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alice Walstead ; illustrated by Andy Elkerton & Leo Trinidad
by Alice Walstead ; illustrated by Andy Elkerton
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