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AÉROS & HÉROES

A compelling steampunk confection for readers who love the supernatural.

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A family wedding celebration becomes fraught with danger in this second installment of a paranormal series.

In 1843, Jacqueline Duval is preparing her French family home, the Château Bellesfées, for a party in honor of her twin sister Angélique’s recent marriage to Gryffin Llewellyn. Jacqueline, a craftswoman of life-size, mechanical “androides,” wants everything to be perfect, but preparations soon go awry when she notices bite marks and bruises on the neck of her housekeeper’s niece. This worry is compounded by the arrival of King Louis-Philippe, who happens to be the employer of Jacqueline’s lover, Alain de Guise, an agent of the Sûréte Nationale tasked with the monarch’s protection. Steampunk meets royal history meets the fantastical as Angélique and her new husband arrive, admiring Jacqueline’s incredible robotic creations and sharing in her concern about what seems to be a spate of vampire bites on young women in the area. Angélique is perhaps the best person to assist Jacqueline in her fight against the undead, as she left home because she became a werewolf. The novel is punchy and full of intriguing characters. Deal peppers the story with real figures, like the king and the authors Charles Baudelaire and Alexandre Dumas, who serve as a vivid historical presence in the Bellesfées universe. Jacqueline is a captivating hero whom readers will be struck by. She is not keen to win glory and worries about the expectations of women of the time, panicked that “she wasn’t compliant enough, not feminine enough, not deferential enough.” Though the characters are brilliant, they are sometimes let down by the pacing of the story, which occasionally races a little too quickly, making it hard for readers to keep up. The world presented is so unique and well-crafted by the author that it would be great to luxuriate in it a little longer.

A compelling steampunk confection for readers who love the supernatural.

Pub Date: Nov. 1, 2024

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Dec. 31, 2024

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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