by Effie Lada ; illustrated by Effie Lada ‧ RELEASE DATE: Nov. 25, 2025
Lovely, if rather opaque.
Originally published in Belgium and the Netherlands, a fantasy about reconnecting with our humanity.
Opening spreads depict light-skinned, blue-eyed Lisa in a city, her bright-yellow slicker contrasting with the gray setting, whereas others’ moods match their dreary surroundings. “Whether at work, at home, or while walking along the streets, the people only stare at screens—as if they’ve forgotten how to look at one another.” Lada’s style recalls the work of Peter Sís or Giselle Potter, with watercolor washes and a playful, flat aesthetic to the big-eyed characters, who sometimes resemble paper dolls. So Lisa, inexplicably small on the page at this particular moment, embarks on a fantastic journey to find “a way to help people see each other again. A way for them to see the beauty of the world again.” She climbs a rock tower, sleeps in a cave, crosses a labyrinth, and encounters “a ship full of refugees,” whose “dreams are scattered in the wind.” Perhaps lost in translation from the original Dutch, Lada’s text doesn’t quite connect the dots between Lisa’s earlier observation of city dwellers’ screen addiction and the “long ribbon of people leav[ing] their homeland,” but Lisa’s trek brings her to “the edge of the world,” where she unleashes dreams represented by whimsical flora, fauna, and objects that float from a “deserted fantasy factory,” “igniting dreams. Connecting lives.” Despite the story’s perplexing moments, the visuals will entrance.
Lovely, if rather opaque. (Picture book. 3-7)Pub Date: Nov. 25, 2025
ISBN: 9798890632135
Page Count: 40
Publisher: Clavis
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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