by Einat Tsarfati ; illustrated by Einat Tsarfati ‧ RELEASE DATE: July 20, 2021
This could be worse…but it could be better.
Two shipwrecked sailors hold different viewpoints about their situation.
Out on the open ocean, Albertini (brown-skinned, with dark hair, wearing a knitted cap and blue sailor stripes) and George (white-skinned, with bright orange hair and a blue sweater) float on a fragment of their ill-fated ship. The placid, empty ocean shows no sign of other sailors nor other parts of the ship. It begins to rain, but just on them: a narrow, personalized storm. Albertini shouts, “This is so unfair!”—but: “It could be worse,” counters chin-up George. A chain of cartoonishly bad (and lackadaisically disparate) events unfolds: Flying fish drop diarrhea on them; mermaids wearing onesies sing a song that gets stuck in their heads; a sea anemone pulls them to the ocean’s floor; a whale swallows them down into its belly, where they find Rodin’s The Thinker, Pinocchio, and telephones from various bygone eras among other esoterica. Each event distresses poor Albertini while chipper George repeatedly murmurs that things could be worse. The refrain begs for an ending with a strong (and pattern-relevant) punch, swerve, or affirmation, but none comes. Instead, several implausible strokes of luck—overly casual luck that the text never acknowledges—reunite Albertini and George with their multiracial crew and the inexplicably restored (though not whole) components of the missing ship. Tsarfati’s wiry illustrations lean on concept more than aesthetic or visual engagement.
This could be worse…but it could be better. (Picture book. 4-8)Pub Date: July 20, 2021
ISBN: 978-1-5362-1791-9
Page Count: 40
Publisher: Candlewick
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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