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THE HYBRID

BOOK ONE

A compelling but uneven fantasy set in a magical school in the 22nd century.

In this YA fantasy, a teen gets tested and discovers that he’s the rarest form of hybrid.

In the 22nd century, 13-year-old Sebastian “Seb” Parker is finally free of his father’s house and in the Testing Centre to see what talent he possesses. After he endures the grueling, life-threatening test, the results show that Sebastian is not only a Hybrid, an alpha with at least two affinities, but also a Quad-brid, with all four talents. As a Quad-brid, Seb can pick any of the four specialties he wants to be trained in at “the Academy”—Healer, Conjurer, Telek, or, the most feared of them all, Necro. As much as Seb wants to be a Healer, his father’s threats of being forced to “live in the basement, forever,” where he was tortured and starved for months, lead him to choose Necro. Considering how scared the rest of the school is of Necros, it’s little wonder Seb has a difficult time connecting with his fellow students. This would make school hard enough, but unbeknown to Seb, his own teachers are petitioning for his death. A Quad-brid is dangerous, and there is a prophecy about an alpha “born of the Dark” who “will have power like no other” who sounds suspiciously like Seb. Despite all these challenges, Seb makes two friends at school—Michael Corey and Samantha Green. Maybe with some students actually on his side, Seb can survive his first year. In this ambitious series opener, Frances takes readers to a magical school with four distinct houses, weighty prophecies, and a special teen. But important worldbuilding information would have been better served in the narrative rather than in the preface, and some readers may find several comments about a character’s weight off-putting. Seb himself seems too powerful and too good to be true. But readers who overlook these missteps will find a captivating magical world with rich details that will hold their interest.

A compelling but uneven fantasy set in a magical school in the 22nd century.

Pub Date: May 27, 2022

ISBN: 979-8417874222

Page Count: 422

Publisher: Self

Review Posted Online: Oct. 22, 2022

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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  • New York Times Bestseller

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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