Doctorow’s previous novels have earned multiple major literary awards. The March should do so as well.
William Tecumseh Sherman’s legendary “march” (1864–65) through Georgia and the Carolinas—toward Appomattox, and victory—is the subject of Doctorow’s panoramic tenth novel.
As he did in his classic Ragtime (1991), Doctorow juxtaposes grand historical events with the lives of people caught up in them—here, nearly two dozen Union and Confederate soldiers and officers and support personnel; plantation owners and their families; and freed slaves unsure where their futures lie. The story begins in Georgia, where John Jameson’s homestead “Fieldstone” becomes a casualty of Sherman’s “scorched earth” tactics (earlier applied during the destruction of Atlanta). The narrative expands as Sherman moves north, adding characters and subtly entwining their destinies with that of the nation. Emily Thompson, daughter of a Georgia Chief Justice, finds her calling as a battlefield nurse working alongside Union Army surgeon Wrede Sartorius (who’ll later be reassigned to Washington, where an incident at Ford’s Theater demands his services). “Rebel” soldiers Will Kirkland and Arly Wilcox move duplicitously from one army to another, and the Falstaffian pragmatist Arly later courts survival by usurping the identity of a battlefield photographer. John Jameson’s “white Negro” bastard daughter Pearl becomes her former mistress’s keeper—and the last best hope for melancholy “replacement” northern soldier Stephen Walsh. Sherman’s war-loving subordinate Justin “Kil” Kilpatrick blithely rapes and loots, finding a boy’s excitement in bloody exigencies. There’s even a brief appearance by indignantly independent black “Coalhouse” Walker (a graceful nod to the aforementioned Ragtime). Doctorow patiently weaves these and several other stories together, while presenting military strategies (e.g., the “vise” formed by Sherman’s gradual meeting with Grant’s Army) with exemplary clarity. Behind it all stalks the brilliant, conflicted, “volatile” Sherman, to whom Doctorow gives this stunning climactic statement: “our civil war . . . is but a war after a war, a war before a war.”
Doctorow’s previous novels have earned multiple major literary awards. The March should do so as well.Pub Date: Sept. 20, 2005
ISBN: 0-375-50671-3
Page Count: 368
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
With any luck, the Nazi hunting will go on for a sequel or two.
Nazi hunters team up with a former bomber pilot to bring a killer known as the Huntress to justice.
In postwar Europe, Ian, a British war correspondent with a vendetta, and his American sidekick, Tony, have set up a shoestring operation to catch the war criminals who seem to be not just slipping, but swarming through the cracks. The same set of circumstances that led Ian to enter a marriage of convenience with Nina, a Siberian former bomber pilot, has also given both common cause: to chase down Lorelei Vogt, a Nazi known as the Huntress, who, by her lakeside lair in Poland, trapped and killed refugees, many of them children. Lorelei’s mother, blandished by Tony, reveals that her daughter immigrated to Boston. Meanwhile, Jordan, an aspiring photographer living in Boston with her widowed antiques-dealer father, Dan, welcomes a new stepmother, Austrian refugee Anneliese, and her 4-year-old daughter, Ruth. Jordan soon grows suspicious of Dan’s new bride: A candid shot captures Anneliese’s furtive “cruel” glance—and there’s that swastika charm hidden in her wedding bouquet. However, Anneliese manages to quell Jordan’s suspicions by confessing part of the truth: that Ruth is not really her daughter but a war orphan. That Jordan’s suspicions are so easily allayed strains credulity, especially since the reader is almost immediately aware that Anneliese is the Huntress in disguise. The suspense lies in how long it’s going to take Ian and company to track her down and what the impact will be on Jordan and Ruth when they do. Well-researched and vivid segments are interspersed detailing Nina’s backstory as one of Russia’s sizable force of female combat pilots (dubbed The Night Witches by the Germans), establishing her as a fierce yet vulnerable antecedent to Lisbeth Salander. Quinn’s language is evocative of the period, and her characters are good literary company.
With any luck, the Nazi hunting will go on for a sequel or two.Pub Date: Feb. 26, 2019
ISBN: 978-0-06-274037-3
Page Count: 560
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
BOOK REVIEW
A fresh take on the WWII love story, with a narrator who practically demands Myrna Loy come back to life to play her in the...
To a portrait of the Duke and Duchess of Windsor, this historical novel adds two grand fictional passions: one beginning in Switzerland in 1900, the other in the Bahamas in 1941, both involving a ginger-haired Brit named Thorpe.
The first scene of Williams' (The Summer Wives, 2018, etc.) latest novel introduces the resourceful and wonderfully articulate Lulu Randolph Thorpe, "a pedigree twenty-five-year-old feline, blessed with sleek, dark pelt and composure in spades." A columnist for an American women's magazine stationed in the Bahamas in the early 1940s, Lulu reports on the doings of the former Edward VIII and Wallis Simpson—scrupulously avoiding all mention of the thicket of political corruption and racial tension that surrounds them. But to us, Lulu tells all, going back to how she dispensed with her first husband, the problematic Mr. Randolph, and continuing through her current mission—to spring her second husband, British undercover agent Benedict Thorpe, from a German prison camp. A second narrative set 40 years earlier focuses on Elfriede von Kleist, a new mother from rural Westphalia with postpartum depression so severe she has attempted suicide, causing her husband, the Baron, to dispatch her to a clinic in Switzerland. There she meets a young Londoner named Wilfred Thorpe, interrupting his grand tour of the continent to recover from pneumonia—but never to recover from meeting Elfriede. The portrait of wartime Bermuda and the awful Windsors, observed and reported by Lulu, is original and fascinating. Lulu herself is an excellent creation, tough, smart, sexy, and ruthless. While the secondary Elfriede plot adds interesting complications to the historical puzzle, it doesn't have quite as much verve.
A fresh take on the WWII love story, with a narrator who practically demands Myrna Loy come back to life to play her in the movie.Pub Date: July 9, 2019
ISBN: 978-0-06-283475-1
Page Count: 480
Publisher: Morrow/HarperCollins
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
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