A memorable collection of provocative horror.
A lengthy set of stories that explore many facets of fear and human wickedness.
Retired police officer–turned–horror novelist Jefferson continues to explore how evil infiltrates the lives of his predominantly Black characters in this new collection of arresting stories. In the harrowing opening tale, “Stimulated by Evil,” a trio of burglars stake out the mansion of a wealthy vacationing couple, but after they rob the house of its priciest items, a grisly comeuppance awaits them. Other tales are equally as menacing and come spring-loaded with surprising twists, as in one about a desperate ploy by a wife to save her marriage from infidelity or another about two siblings and their dying father who abandoned them. Each story packs a punch, but one of the most intense is “Consumed by Evil,” which features a physician with a uniquely abrasive bedside manner—he smokes while he treats patients, spews racial diatribes, has a stocked liquor cabinet in his office, and delivers tough-love diagnoses to a series of bewildered patients. Revenge, vigilante justice, and the agony of betrayal are also key themes. Jefferson’s tales are reminiscent of episodes of The Twilight Zone in which everyday people face unspeakable horrors or grim challenges—often without the satisfaction of a happy ending. As in the author’s past Touched by Evil collections, the stories don’t skimp on explicit sex, gore, or expletives, and, as such, sensitive readers may want to proceed with caution. There are also occasional awkward passages, including unnatural dialogue (“Now that we have reconnected, let me tell you why it was so urgent for me to find you”) and a lack of clarity in some sections. These quibbles, however, shouldn’t deter devoted genre fans who will appreciate these addictive, frightening works.
A memorable collection of provocative horror.Pub Date: April 20, 2021
ISBN: 978-1662911781
Page Count: 522
Publisher: E. L. Books
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: June 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
PERSPECTIVES
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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