While Arnold has written a compelling flipped fairy tale and commentary on misogyny, she’s missed the mark for her intended...
Arnold (Bat and the Waiting Game, 2018, etc.) blends an abusive romance-novel relationship and intense feminist and patriarchal imagery with the classic storyline of a prince saving a damsel from the lair of a dragon.
In a gray, medieval world, Prince Emory of Harding makes his way toward a dragon’s lair to rescue a damsel and make her his bride, in the process bringing light to the land and glory upon himself. The damsel cannot recall who she is, and so Emory names her Ama. They return to Harding, where Prince Emory is crowned king, and his mother announces they will be wed in a few months’ time, and Ama will give birth to his heir. Ama must learn how to be a queen and is reminded repeatedly that Emory’s desires are what matters—she is never allowed to forget that he “saved” her. When she does not comply with his wishes, she is brutally and sadistically punished, sexually, psychologically, and physically. What if, instead of being the hero’s beloved, you are your abuser’s captive? The symbolism and imagery, as well as the meaning of the sexual violence that is perpetrated upon Ama, may go over the heads of less sophisticated readers. All characters are white.
While Arnold has written a compelling flipped fairy tale and commentary on misogyny, she’s missed the mark for her intended audience. (Fiction. 15-adult)Pub Date: Oct. 2, 2018
ISBN: 978-0-06-274232-2
Page Count: 320
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: June 23, 2018
Kirkus Reviews Issue: July 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An exciting read from start to finish.
The year is 2123; it has been 6 months since Noam helped overthrow the despotic government of Carolinia.
Lehrer is chancellor. Atlantian refugees are pouring into Carolinia. Noam is on a mission in the quarantined zone. Everything is far from OK. What Lehrer doesn’t know is that Noam remembers that Lehrer is the one responsible for everything: Lehrer, who is his teacher, mentor, and, now, lover. And then Dara—who should be dead, whom he sent off into the quarantined zone—walks right back into Noam’s life. Having taken the vaccine to save his life, Dara now finds himself without his powers and with a clear thirst for revenge. Fortunately, Noam wants to use his role as Lehrer’s protégé to help the resistance, but Dara and Noam have very different ideas of what that looks like. In a narrative that shifts between Noam’s and Dara’s perspectives, this book deals with complex issues including grooming, attempted rape, sex and sexuality, alcohol abuse, political ethics, and biological warfare. At times it feels as if the author is attempting commentary on too many things and the story might have had a stronger effect if it were more focused; however, it will leave fans of the first book satisfied. As before, there is diversity in ethnicity and sexual orientation in the cast.
An exciting read from start to finish. (maps, content notes, resources) (Dystopian science fiction. 15-18)Pub Date: March 17, 2020
ISBN: 978-1-5420-0508-1
Page Count: 480
Publisher: Skyscape
Review Posted Online: Jan. 22, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
BOOK REVIEW
Exciting concept; underwhelming execution.
Once a year in the city-island of Caldella, the powerful Witch Queen leaves her Water Palace to find her true love, whom she must drown to appease the dark tide of the ever hungry ocean.
Thomas Lin is the only boy who’s ever escaped—by convincing the last Witch Queen to drown herself instead. Ever since then, her sister, Eva, who is the new Witch Queen, has been unable to appease the dark tide—she’s felt nothing for the boys she’s sacrificed. When Thomas is chosen a second time, Lina, a town girl with a crush, decides to rescue Thomas from the Water Palace and volunteer as sacrifice to make sure both Thomas and her own brother stay safe. As Lina and Eva spend more time together, they realize that they have a surprising amount in common: their love for their siblings, their desperation to change the sacrificial system, and their desire for one another. The close third-person narration is focalized alternately through Lina and Eva, and although Lina’s perspective provides greater depth, the narrative voice for each is removed, with more telling than showing. Characters are racially ambiguous but often implied through skin tone to be nonwhite. Diverse sexualities and gender expressions are also implied, but heteroromanticism is disappointingly the default.
Exciting concept; underwhelming execution. (Fantasy. 16-18)Pub Date: Aug. 4, 2020
ISBN: 978-1-7282-0998-2
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: March 10, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
BOOK REVIEW
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