by Eleanor Wong Telemaque ‧ RELEASE DATE: Sept. 1, 2000
A convincing novella of mid-20th-century Minnesota via the point of view of a Chinese family.
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A young Chinese-American woman surveys a Midwestern small town with a gimlet eye.
This handsome reprint of Telemaque’s (The Sammy Wong Files, 2007) first novella, originally published in 1978, concerns the early life and first real love of Ching Wing, an unhappy girl in a stifling world. Her father, Mr. Wing, doesn’t know how to run his restaurant, The Canton, and his daughter’s fed up with it. Ching grows up waiting tables in a “kind of a bastard Chinese restaurant, where they served roast milk fed turkey along with the usual chop suey and chow mein.” Her mother sits at home all day and pines for the old country and the nephew she’s saving up to bring across the Pacific and then across the prairie. Situated, quite literally, on the wrong side of the tracks, the house where the Chings spend their off hours isn’t much to speak of either: “ ‘The junk house’ I called it because of its second-hand furnishings, which I hated.” Ching feels torn: half-American and half-Chinese. There’s no future for her among the mildly racist clique girls and freeloading “bums” her father entertains out of charity. She’s afraid of both the white and black boys. Suddenly, her life lights up. Bingo Tang, son of a more successful restaurateur, arrives to stay the summer at the junk house, and Ching sees stars. “Dear God,” she prays at night, “I won’t ask anything again. Just make him love me. Make me pregnant. Then make him marry me.” The story of Ching growing up and getting out of town plays out against the colorful dreariness of a 1960s-era Midwestern hamlet. Readers are introduced to a number of amusing characters like the never-present but much-talked-about Mr. Sorensen, a landlord who communicates his wishes via newspaper announcements, and the thoroughly assimilated Mr. Fung, who dislikes anything that smacks of charity. Telemaque has clearly read her Sherwood Anderson, and the small frustrations of a narrowly circumscribed and landlocked life are convincingly, not to say claustrophobically, evoked. This is a useful novella for anyone interested in Chinese-American history or, indeed, why it’s crazy to stay Chinese in Minnesota.
A convincing novella of mid-20th-century Minnesota via the point of view of a Chinese family.Pub Date: Sept. 1, 2000
ISBN: 978-0-7388-1730-9
Page Count: 104
Publisher: Xlibris
Review Posted Online: Aug. 31, 2016
Kirkus Reviews Issue: Oct. 15, 2016
Review Program: Kirkus Indie
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adapted by Charlotte Craft ‧ RELEASE DATE: April 1, 1999
PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)
Pub Date: April 1, 1999
ISBN: 0-688-13165-4
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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by Mahbod Seraji ‧ RELEASE DATE: May 5, 2009
Refreshingly filled with love rather than sex, this coming-of-age novel examines the human cost of political repression.
A star-crossed romance captures the turmoil of pre-revolutionary Iran in Seraji’s debut.
From the rooftops of Tehran in 1973, life looks pretty good to 17-year-old Pasha Shahed and his friend Ahmed. They’re bright, funny and good-looking; they’re going to graduate from high school in a year; and they’re in love with a couple of the neighborhood girls. But all is not idyllic. At first the girls scarcely know the boys are alive, and one of them, Zari, is engaged to Doctor—not actually a doctor but an exceptionally gifted and politically committed young Iranian. In this neighborhood, the Shah is a subject of contempt rather than veneration, and residents fear SAVAK, the state’s secret police force, which operates without any restraint. Pasha, the novel’s narrator and prime dreamer, focuses on two key periods in his life: the summer and fall of 1973, when his life is going rather well, and the winter of 1974, when he’s incarcerated in a grim psychiatric hospital. Among the traumatic events he relates are the sudden arrest, imprisonment and presumed execution of Doctor. Pasha feels terrible because he fears he might have inadvertently been responsible for SAVAK having located Doctor’s hiding place; he also feels guilty because he’s always been in love with Zari. She makes a dramatic political statement, setting herself on fire and sending Pasha into emotional turmoil. He is both devastated and further worried when the irrepressible Ahmed also seems to come under suspicion for political activity. Pasha turns bitterly against religion, raising the question of God’s existence in a world in which the bad guys seem so obviously in the ascendant. Yet the badly scarred Zari assures him, “Things will change—they always do.”
Refreshingly filled with love rather than sex, this coming-of-age novel examines the human cost of political repression.Pub Date: May 5, 2009
ISBN: 978-0-451-22681-5
Page Count: 368
Publisher: NAL/Berkley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2009
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