by Elena Romine ‧ RELEASE DATE: July 16, 1992
The dying days of Communism—as observed by Russian ÇmigrÇ Romine, whose anecdotal but perceptive account traces the pervasive disaffection, cynicism, and mixed emotions that marked that dramatic time. Relatively privileged by Soviet standards, 30-ish and divorced Romine, a former Intourist guide and teacher who'd obtained her Ph.D. in philology, had been able to travel quite widely before the advent of Gorbachev—but always under official auspices. Perestroika now meant that she could go alone; this journal begins with a trip to Munich in 1988 and recollections of others, and ends with her departure for her first visit to the US. These journeys, like so much else within the Soviet Union, required tireless persistence, great humor, and numerous useful friends—Romine quotes an old Russian saying, ``Better to have a hundred friends than a hundred roubles,'' especially in a country where money has lost its significance. It is a land where colleagues come to work not to teach but to arrange shopping forays, eat the cafeteria food, and socialize; where a friend, suffering from insomnia and sent to recover in a real ``Psycho Ward,'' is tempted to stay because he ``felt almost like a free man in a free society.'' It is also a country in which fear perverts the closest of friendships, as revealed when Romine describes a visit shamefacedly made to Andrei Sakharov, a beloved friend of her late father's, to apologize for his silence during Sakharov's troubles. Yet Romine's feelings are ambivalent, and often despairing, as she also notes her close family ties and warm friendships, and the strong appeal of Russian culture—though not strong enough to keep her from moving to southern California. One of those personal records, refreshingly idiosyncratic and frank, that does more to foster understanding than any number of more ponderous and ambitious studies.
Pub Date: July 16, 1992
ISBN: 0-688-10416-9
Page Count: 224
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1992
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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