A resounding excoriation of an unquestionably corrupt operator.
A full-throated condemnation of the recently departed attorney general.
If former Southern District of New York prosecutor Honig, now a CNN analyst, has any use for William Barr, you wouldn’t know it from these barbed pages. For one thing, Barr has “never, never tried a single case, in the trenches, as a prosecutor.” In that, he was like many in the Trump administration, lacking the credentials required to do the job. But Barr had numerous things in his favor, insofar as securing the gig was concerned. For example, “as a private citizen,” he wrote his famous “audition memo,” in which he questioned the legitimacy of the Mueller investigation and advocated executive powers so extensive that the president was on the verge of becoming a dictator. This ties in with Barr’s virulent, theologically based fundamentalism, which, among other planks, militated against rights for gay people and other marginalized minorities. Barr politicized the Justice Department to become an instrument of power for Trump, even after his electoral loss in 2020. “As Trump cast about for some basis on which to contest the outcome,” writes Honig, “Barr instructed prosecutors that they were now free to pursue election fraud cases even while certification of election results was still pending.” The author prefaces his damning, convincing account by enumerating characteristics “that infected Barr’s approach to his position as the nation’s top prosecutor.” He is “a liar” and “an eager political partisan” who “used the attorney general position to impose his own legal and philosophical views on how civil society ought to function.” As for his surprise resignation just before Trump left office? Self-serving self-preservation, writes Honig, perhaps with a smattering of concern for legacy behind it. Even so, Barr went out the door having accelerated the schedule for the execution of federal prisoners, one more sign of his “thirst for power, fueled by a religious certainty in his duty and right to impose order on the world.”
A resounding excoriation of an unquestionably corrupt operator.Pub Date: July 6, 2021
ISBN: 978-0-06-309236-5
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: April 27, 2021
Kirkus Reviews Issue: May 15, 2021
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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