A distressing account of how power often trumps justice within the American criminal justice system.
Cogent analysis of how privileged individuals skirt criminal prosecution.
After a frustrating attempt to bring a crime-syndicate kingpin to justice, CNN senior legal analyst and former federal prosecutor Honig began to delve into the too-common phenomenon of wealthy, influential people avoiding punishment. Some of this material he covered in his previous book, Hatchet Man: How Bill Barr Broke the Prosecutor’s Code and Corrupted the Justice Department. Here, the author assesses the ways that privilege and power are used to game the legal system, exploring the tactics used by savvy, ruthless individuals to exploit flaws in the prosecutorial and judicial processes. In clear, concisely written sections, Honig digs into the evasive tactics employed by the well connected, how jury service can be intimidating, and how human and institutional biases affect how the rules and procedures of a lawsuit are followed (or ignored). Michael Cohen, Donald Trump’s former personal attorney, is just one of many high-profile villains Honig spotlights. Examining cases involving Steven Bannon, Roger Stone, Jeffrey Epstein, Bill Cosby, Harvey Weinstein, and, of course, Trump himself, the author notes the difficulties facing prosecuting attorneys in exacting justice amid a mountain of red tape, legal acrobatics, walls of financial blocks—and often despite smoking-gun evidence. Though Honig devotes attention to the executive privilege of a variety of nefarious billionaires and politicians, he focuses mostly on the bewildering acquittal record of Trump, a “lawless Houdini.” Despite multiple impeachments, damning congressional findings, and hush-money payments, miraculously, Trump has never been formally charged with a crime. He remains “unburdened by ethics, shame, or even a logical sense of self-preservation.” Outside of urging prosecutors to think more like their clients, using “creativity and aggression,” Honig doesn’t offer any solid solutions, but he does provide clarity about how the institutional justice system is “stacked in favor of powerful, wealthy, famous people,” most of whom avoid accountability for their crimes.
A distressing account of how power often trumps justice within the American criminal justice system.Pub Date: Jan. 31, 2023
ISBN: 9780063241503
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 21, 2022
Kirkus Reviews Issue: Dec. 15, 2022
BOOK REVIEW
BOOK REVIEW
A dauntless, moving account of a kidnapping and the horrors that followed.
Enduring the unthinkable.
This memoir—the first by an Israeli taken captive by Hamas on October 7, 2023—chronicles the 491 days the author was held in Gaza. Confined to tunnels beneath war-ravaged streets, Sharabi was beaten, humiliated, and underfed. When he was finally released in February, he learned that Hamas had murdered his wife and two daughters. In the face of scarcely imaginable loss, Sharabi has crafted a potent record of his will to survive. The author’s ordeal began when Hamas fighters dragged him from his home, in a kibbutz near Gaza. Alongside others, he was held for months at a time in filthy subterranean spaces. He catalogs sensory assaults with novelistic specificity. Iron shackles grip his ankles. Broken toilets produce an “unbearable stink,” and “tiny white worms” swarm his toothbrush. He gets one meal a day, his “belly caving inward.” Desperate for more food, he stages a fainting episode, using a shaving razor to “slice a deep gash into my eyebrow.” Captors share their sweets while celebrating an Iranian missile attack on Israel. He and other hostages sneak fleeting pleasures, finding and downing an orange soda before a guard can seize it. Several times, Sharabi—51 when he was kidnapped—gives bracing pep talks to younger compatriots. The captives learn to control what they can, trading family stories and “lift[ing] water bottles like dumbbells.” Remarkably, there’s some levity. He and fellow hostages nickname one Hamas guard “the Triangle” because he’s shaped like a SpongeBob SquarePants character. The book’s closing scenes, in which Sharabi tries to console other hostages’ families while learning the worst about his own, are heartbreaking. His captors “are still human beings,” writes Sharabi, bravely modeling the forbearance that our leaders often lack.
A dauntless, moving account of a kidnapping and the horrors that followed.Pub Date: Oct. 7, 2025
ISBN: 9780063489790
Page Count: 208
Publisher: Harper Influence/HarperCollins
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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