Oh for the days when life was a picnic on the beach: Hilderbrand sets the gold standard in escapist fiction.
A Nantucket-ization of the world’s most romantic adultery story.
Inspired by the 1978 movie Same Time, Next Year, Hilderbrand creates her own pair of annual secret lovers—Mallory Blessing and Jake McCloud. Mallory is a Baltimore girl, born and raised in Anne Tyler territory, who inherits a Nantucket beach cottage from her gay aunt. Jake is her brother Cooper’s best friend from his college days at Johns Hopkins. They first cross paths in 1993, when Mallory hosts Cooper’s bachelor party over Labor Day weekend…and the book’s title gives you a pretty good idea of the rest. When they meet, Jake is already the property of a glamorous but coldhearted powerhouse named Ursula DeGournsey—the two grew up together in South Bend, Indiana—who by the end of the book is a U.S. senator running for president. To get to 2020, Hilderbrand paves a lush path of nostalgia, introducing each year with a rundown of headlines, song lyrics, and pop-culture memories, and also slips in an astute commentary on marriage, showcasing various good ones and bad ones along the way. Come for the sailing, the sunsets, and the sweet romance, stay for the cold gin and tonics, the lobster dinners, and truly unparalleled picnics: “rare roast beef, Boursin, and arugula pinwheel sandwiches, chicken and potato sandwiches with celery and chives; a marinated cucumber salad from the Baltimore Junior League cookbook, and lemon bars with a coconut shortbread crust.” In her 25th novel, Hilderbrand gets everything right and leaves her ardent fans hungry for No. 26.
Oh for the days when life was a picnic on the beach: Hilderbrand sets the gold standard in escapist fiction.Pub Date: June 16, 2020
ISBN: 978-0-316-42004-4
Page Count: 432
Publisher: Little, Brown
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
PROFILES
SEEN & HEARD
Strangely stuffy and muted.
The little-known story of the Black woman who supervised J. Pierpont Morgan’s storied library.
It's 1905, and financier J.P. Morgan is seeking a librarian for his burgeoning collection of rare books and classical and Renaissance artworks. Belle da Costa Greene, with her on-the-job training at Princeton University, seems the ideal candidate. But Belle has a secret: Born Belle Marion Greener, she is the daughter of Richard Greener, the first Black graduate of Harvard, and she's passing as White. Her mother, Genevieve, daughter of a prominent African American family in Washington, D.C., decided on moving to New York to live as White to expand her family’s opportunities. Richard, an early civil rights advocate, was so dismayed by Genevieve’s decision that he left the family. As Belle thrives in her new position, the main source of suspense is whether her secret will be discovered. But the stakes are low—history discloses that the career-ending exposure she feared never came. There are close calls. J.P. is incensed with her but not because of her race: She considered buying a Matisse. Anne Morgan, J.P.’s disgruntled daughter, insinuates that Belle has “tropical roots,” but Belle is perfectly capable of leveraging Anne’s own secrets against her. Leverage is a talent of Belle’s, and her ruthless negotiating prowess—not to mention her fashion sense and flirtatious mien—wins her grudging admiration and a certain notoriety in the all-White and male world of curators and dealers. Though instructive about both the Morgan collection and racial injustice, the book is exposition-laden and its dialogue is stilted—the characters, particularly Belle, tend to declaim rather than discuss. The real Belle left scant records, so the authors must flesh out her personal life, particularly her affair with Renaissance expert Bernard Berenson and the sexual tension between Belle and Morgan. But Belle’s mask of competence and confidence, so ably depicted, distances readers from her internal clashes, just as her veneer must have deterred close inquiry in real life.
Strangely stuffy and muted.Pub Date: June 29, 2021
ISBN: 978-0-593-10153-7
Page Count: 352
Publisher: Berkley
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
An impressive literary balancing act that entertains as it enriches.
A hefty political page-turner about what it means to have money and how we fall in love with it.
Tarkington begins his pungent political drama with an epigraph from Robert Penn Warren’s All the King’s Men, announcing his lofty intentions before the novel proper has even begun. By turns sprawling and intimate, the book looks at the blessing and curse of Southern noblesse oblige through the eyes of those who have and those who don’t. Arch Creigh got his leg up from a new-money uncle, and he sees his future in the realm of Republican politics in his native Nashville. His boyhood friend, also the story’s narrator, is Charlie Boykin, a conscientious poor kid with a young, pretty mom and only a few scruples about accepting a helping hand. Tarkington is a gifted storyteller, largely because he knows how to let his finely developed characters do the heavy lifting. Money isn’t all that separates the novel’s nouveau riche from its reluctant strivers. There’s also the matter of idealism, always an iffy prospect in politics; and authenticity, which grows elusive as fine living and friends in high places seduce and destroy what lies in their paths. Charlie, who didn’t grow up with money, essentially falls in love with what and whom it represents, including Arch’s wife, Vanessa. Tarkington weaves in some scandal—an affair, an abortion, and enough secrets to keep readers guessing. But he’s not just prompting the next page turn. The novel is concerned with what lies beneath both the best intentions and worst impulses. There’s a tantalizingly thin line between love and desire here. Mistaking one for the other is easy. It’s also catastrophic.
An impressive literary balancing act that entertains as it enriches.Pub Date: Jan. 5, 2021
ISBN: 978-1-61620-680-2
Page Count: 320
Publisher: Algonquin
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
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