by Elisa Albert ‧ RELEASE DATE: July 5, 2022
Albert offers much to mull on the ethics of reproduction and the many permutations of inheritance.
As her creative powers ripen around the release of her fourth album, Womb Service, alt-folk-punk-blues anti-darling Aviva Rosner is consumed by the frustrated need to have a baby twinned with a spiraling obsession with the late Amy Winehouse.
Embarking on tour for what's hoped to be her breakout album, Aviva grapples with the eternal quandary of having it all and of keeping what's expected of her in balance with what she desires: She wants a successful music career while maintaining creative control; she wants to come home to her almost-textbook-perfect husband while indulging the occasional boundary-pushing dalliance; she wants a baby born of her own body without the intrusion of conventional medicine; veneration without the destruction of runaway fame; leaving a legacy without it being twisted to others' purposes. Albert catalogs the nitty-gritty rise and fall of each menstrual cycle, each recurring anxiety, each lapse into rumination on the death and, Aviva believes, widespread misunderstanding of the iconic Winehouse, each yoni steam and psychedelic journey undertaken in service of a dream that feels like a birthright denied, and traveling alongside Aviva on the long, fraught road of infertility can induce in the reader a feeling of claustrophobic recrudescence, like you're trapped in it all in real time. Aviva is someone many have known—or been—a version of, barreling through nuance with a dubiously informed politics and worldview yet a (nearly) unshakeable conviction in her own rectitude and righteousness, embodying that well-worn saying, "I was a perfect parent before I had children" (sub parent with any number of other occupations prone to abuse by the public), talented yet simultaneously under- and overconfident. Still, as often as Aviva's anxieties and flaws—and they are considerable (and not always handled with the narrative berth needed to avoid a creeping sense of complicity in the reader)—are fed by various lopsided satellites in her orbit, they're also checked by moments of real insight from wiser (and often ignored) figures in her life who attempt to insulate her against fully self-obliterating in a monomaniacal blaze.
Albert offers much to mull on the ethics of reproduction and the many permutations of inheritance.Pub Date: July 5, 2022
ISBN: 978-1-982167-86-8
Page Count: 416
Publisher: Avid Reader Press
Review Posted Online: July 7, 2022
Kirkus Reviews Issue: Aug. 1, 2022
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Colleen Hoover ‧ RELEASE DATE: Jan. 13, 2026
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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