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THE PACK

The tip-off that there will be mayhem occurs in the first paragraph of this awkward effort that pairs the theme of wolf behavior with a Columbine-style school massacre. When Akhil shows up in a suburban Washington high school, he causes a commotion. Apart from his accent, his refusal to sit in a chair, and his outbursts in class, Akhil’s neck and arms are heavily scarred. Adding to the intrigue, Akhil is in D.C. so that the NIH can study him, although he can’t reveal why. Soon, Akhil befriends two other outcasts in the school: Becky, who is fat, and her friend Omar, whose father, killed in the Gulf War, was black and his mother white. The three are united in their antipathy for Kyle Metzger, who crippled Becky’s little brother in a case of reckless driving, but whose lawyer father got him off scot-free. A new reason to loathe and fear Kyle emerges: he totes Aryan Nation hate literature around in his backpack, along with a hit list. Although the three briefly consider going to the police or the school authorities, they reject that option in favor of doing their own investigation. Akhil, who turns out to have been raised by wolves in India, has some ideas about applying the laws of the pack to the social universe of the high school. The plot is too much of a stretch to take seriously and the ending, though violent, is curiously unemotional. An author’s note offers information on wolves, examples of real “wolf children,” and Web sites about school violence. (Fiction. 12-14)

Pub Date: April 1, 2003

ISBN: 0-670-03619-6

Page Count: 176

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2003

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SECRETS, SPELLS, AND CHOCOLATE

A sweet yet thinly developed narrative.

Sylvie Jones is on her way to the Brindille School of Culinary Arts & Magic in this YA debut by a former Top Chef contestant.

Due to her mother’s alleged cheating years ago at the famed Golden Whisk—the biggest magical cooking competition around—Sylvie has been admitted only provisionally into Brindille’s six-week preparatory program. The Council of Culinary Sages has tasked her with proving her trustworthiness and talent by finishing first in her class. If Sylvie succeeds, she’ll be officially allowed to take the enrollment test. If she fails, she’ll be banned from “cooking up magic” altogether. Right before Sylvie arrives at Brindille, a mysterious stranger informs her that she’s part of a decades-old prophecy—her name is even written upon the Apple of Discord, a carefully guarded magical treasure borne by “a secret tree that only produce[s] fruit in times of great danger.” Now Sylvie is even more determined to succeed and clear her family’s name. While the overarching plot might hold the attention of ardent fans of magic school stories, the execution falls flat. Experienced genre readers will be disappointed to find that the narrative lacks depth and relies on cliched idioms and tired wordplay, and the culinary elements of the magical world are in need of more robust worldbuilding. Sylvie is cued white, and there’s diversity among the supporting characters.

A sweet yet thinly developed narrative. (recipes) (Fantasy. 12-14)

Pub Date: Dec. 9, 2025

ISBN: 9798890033635

Page Count: 320

Publisher: Page Street

Review Posted Online: Sept. 13, 2025

Kirkus Reviews Issue: Oct. 15, 2025

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MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN

From the Peculiar Children series , Vol. 1

A trilogy opener both rich and strange, if heavy at the front end.

Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.

The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.

A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)

Pub Date: June 7, 2011

ISBN: 978-1-59474-476-1

Page Count: 234

Publisher: Quirk Books

Review Posted Online: March 30, 2014

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