An inventive interpretation of a familiar predicament faced by kids.
A child encounters monsters in this picture book.
Josie is afraid of the monsters she sees in the dark. Her dad gives her a “Scary Snapper” (a flashlight) and tells her when she shines it on the creatures, they “will turn into something not scary.” One night, Josie nervously walks to the kitchen for water. She is relieved when the “monsters” she sees are in reality everyday items when she uses the Snapper. For example, a “monster with a funny shaped head” is just clothing on hooks. In the kitchen, she points the Snapper at a big monster. But it doesn’t turn out to be a familiar item. The illustration depicts a fuzzy purple creature cowering in fear. When he turns on his flashlight, aims it at Josie, and says, “It’s a…MONSTER!” she is shocked. The book concludes: “Josie was no longer afraid…with the Scary Snapper…she was the scariest thing in her house.” The concept of spooky shapes actually being ordinary objects is relatable. Although Downing’s twist ending may not assuage frightened readers, it deftly illuminates the notion that fear and intimidation are universal feelings experienced by even those figures readers are afraid of. Machado’s illustrations are artistic and nicely done. Josie has brown skin and pink hair. Key words are often emphasized typographically, some spanning entire pages. The images include up-close portrayals, like a glowing flashlight. The monsters are shown as both Josie’s imagined versions and their real forms.
An inventive interpretation of a familiar predicament faced by kids.Pub Date: Oct. 6, 2020
ISBN: N/A
Page Count: 35
Publisher: Dark Window Books
Review Posted Online: Oct. 2, 2020
Kirkus Reviews Issue: Nov. 15, 2020
Review Program: Kirkus Indie
Sweet.
A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.
With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”
Sweet. (Picture book. 3-5)Pub Date: Dec. 3, 2019
ISBN: 978-1-68412-910-2
Page Count: 32
Publisher: Silver Dolphin
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
It’s a bit hard to dance, or count, to this beat.
Dinos that love to move and groove get children counting from one to 10—and perhaps moving to the beat.
Beginning with a solo bop by a female dino (she has eyelashes, doncha know), the dinosaur dance party begins. Each turn of the page adds another dino and a change in the dance genre: waltz, country line dancing, disco, limbo, square dancing, hip-hop, and swing. As the party would be incomplete without the moonwalk, the T. Rex does the honors…and once they are beyond their initial panic at his appearance, the onlookers cheer wildly. The repeated refrain on each spread allows for audience participation, though it doesn’t easily trip off the tongue: “They hear a swish. / What’s this? / One more? / One more dino on the floor.” Some of the prehistoric beasts are easily identifiable—pterodactyl, ankylosaurus, triceratops—but others will be known only to the dino-obsessed; none are identified, other than T-Rex. Packed spreads filled with psychedelically colored dinos sporting blocks of color, stripes, or polka dots (and infectious looks of joy) make identification even more difficult, to say nothing of counting them. Indeed, this fails as a counting primer: there are extra animals (and sometimes a grumpy T-Rex) in the backgrounds, and the next dino to join the party pokes its head into the frame on the page before. Besides all that, most kids won’t get the dance references.
It’s a bit hard to dance, or count, to this beat. (Picture book. 3-5)Pub Date: March 1, 2016
ISBN: 978-0-8075-1598-3
Page Count: 32
Publisher: Whitman
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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