by Elisa A. Schmitz ‧ RELEASE DATE: Oct. 11, 2022
A passionate if predictable look at how to find inner motivation.
An innovative new conception of successful motivation.
In her nonfiction debut, Schmitz encourages her readers to achieve their personal and entrepreneurial goals by fully embracing the risks and rewards of chasing their dreams, a process she refers to as “becoming the fire.” Central to her program is staying true to oneself while also exploring avenues for change and adaptation. “To become the fire, you need to be your authentic self,” she writes. “People who are their authentic selves are more likely to succeed because they are self-aware.” One’s genuine nature can be found by working through preferences and passions, testing alternate pathways and rejecting others, and eventually zeroing in on abiding desires. Drawing on her own experiences in the corporate world (with occasional digressions about her personal health problems) and the stories of other people, she furthers the discussion beyond the usual motivational talk about “fake it ’til you make it,” stressing that it ultimately isn’t sufficient. “You have to do the work of building confidence, accomplishment by accomplishment,” she writes, “to actually become self-confident.” Schmitz enhances her main points by peppering her text with inset sections called “Sparks” that consist of questions or challenges for her readers along the lines of her central concepts. “What motivates you?” goes a typical such section. “Think of two times your motivation led you to overcome your fear. How did that work out for you?” The end goal of all these segments is to help readers enter into “virtuous loops” of self-affirming habits and affirmations that will yield results in both business and personal worlds.
Pub Date: Oct. 11, 2022
ISBN: 9781608688104
Page Count: 312
Publisher: New World Library
Review Posted Online: Feb. 17, 2023
Review Program: Kirkus Indie
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by Matthew McConaughey ‧ RELEASE DATE: Sept. 16, 2025
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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IndieBound Bestseller
by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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