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CASTAWAY ON THE ISLE OF DEVILS

This exhilarating tale boasts a dauntless young female at the helm.

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Island castaways in the early-17th century fight for survival—and amongst themselves—in Carson-Williams’ debut YA historical novel.

Sixteen-year-old Alice Drinkard finally gets to share an adventure with her father. They’re leaving their London home for the New World, where his new business opportunity awaits. Alice is angry that her mother is joining them, as she’d tried marrying her daughter off to an older man despite Alice being smitten with someone else. There’s hostility between the two during the lengthy journey aboard the Sea Venture, but a hurricane changes everything. The vessel takes so much damage that the passengers are forced to abandon ship and take refuge on an uninhabited land called the Isle of Devils. There, the mostly male survivors argue over who’s in charge (a governor-to-be or the Sea Venture’s admiral?). This incites bad blood, violence, and even murder. “Land-lubbers” like Alice were happy to find land and not die somewhere in the ocean, but as men mutiny and advocate capital punishment, it’s clear that the battle to stay alive is far from over. Carson-Williams layers this taut, sharply written narrative with engaging conflicts and unrelenting tension. Alice, in addition to clashing with her mother (or “Her Highness,” as she scornfully calls her), gleans a dark family secret while onboard. At the same time, everyone seems to be at each other’s throats, both on the ship and on the island; even the manner of potential escape is a source of contention. Alice is a levelheaded, resourceful protagonist who devises a way to stop leaks (during an unabating hurricane) and catches on to one person’s sketchiness much sooner than anyone else. The author, who based this story on the real-life Sea Venture shipwreck, deftly weaves in historical tidbits—most notably regarding William Shakespeare, whose The Tempest was reputedly inspired by the fate of the Sea Venture.

This exhilarating tale boasts a dauntless young female at the helm.

Pub Date: May 15, 2025

ISBN: 9798991860901

Page Count: 256

Publisher: N/A

Review Posted Online: April 2, 2025

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WE WERE LIARS

From the We Were Liars series

Riveting, brutal and beautifully told.

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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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