Alden’s smart, savvy writing, blended with the traditions of the Scottish moors, creates a charming, multifaceted narrative...
In Alden’s (Hate to Love You, 2014) romance novel, a woman returns to her Scottish hometown and to an old flame she had spurned.
Anjuli Carver left the small town of Heaverlock years ago to pursue a singing career, and she achieved fame and wealth. Her guilt over a tragic loss drove her to retreat from the limelight, and she returned to her hometown. She impulsively bought a crumbling manor there, and shortly afterward, she lost her fortune to a crooked financial adviser and a deadbeat ex-husband. Now, to restore the house, she must negotiate a deal with the local architect, Rob Douglas—who also happens to be the same man she left standing at the altar years ago and whose heart she stomped on anew three months ago. The novel sometimes shifts to Rob’s third-person perspective as he pretends to be over his heartbreak and only mildly interested in Anjuli. Soon, however, both of them ache to be together as they confuse and torment each other with mixed signals. Meanwhile, the village’s energetic rumor mill doesn’t help matters. Readers will appreciate this book’s sassy, romantic heroine, even with her tendencies toward self-sabotage. Rob, meanwhile, is an enjoyably dark, brooding, and kilted Scot with a heart of gold. Alden’s use of a quaint Scottish village as her setting allows her to explore the culture’s mix of the old and the new; characters engage in modern pursuits, such as sustainable architecture, but also continue to sport kilts for traditional festivals. The modern aspects provide the book with humor and relevance, while the historical details contribute nostalgia and romance. The novel’s explicit sex scenes, meanwhile, are in keeping with the refreshingly modern tone. The supporting characters also add color, although some of their actions during the climactic parts of the book seem a little forced, apparently to create additional drama as the main players face sudden obstacles.
Alden’s smart, savvy writing, blended with the traditions of the Scottish moors, creates a charming, multifaceted narrative that’s rife with sexual tension.Pub Date: Oct. 20, 2014
ISBN: N/A
Page Count: 225
Publisher: Carina Press
Review Posted Online: April 8, 2015
Kirkus Reviews Issue: May 15, 2015
Review Program: Kirkus Indie
BOOK REVIEW
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK TO SCREEN
BOOK TO SCREEN
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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