by Elise Primavera & illustrated by Laura Park ‧ RELEASE DATE: Dec. 26, 2012
Amusing, but probably not one children will ask for more than once.
A humorous cautionary tale of greed, wishes and hope.
In Pokey Marsh, a “rotten-to-the-core witch” snatches a silver coin from a wise cypress and promptly loses it. Gator best friends Scarlett Starlett and Simon Greensnout happen to discover the shiny object. Each time the tree finds its coin in the hands of another, it intones, “Give me back my silver dollar and I will give you something that lasts forever….What lasts forever?” Each character chooses to keep the coin instead of what it thinks lasts forever. What ensues is a series of silly yet unfortunate events. Simon gets turned into a donkey, while Scarlett becomes a famous singer cursed with a spell that keeps her from finding anything. Most distressing is that Simon and Scarlett are no longer together. Thanks to the witch’s convenient fit of frustration, Scarlett finds herself in possession of the coin. In a scene reminiscent of Sylvester and the Magic Pebble, Scarlett wishes Simon were with her, and he magically turns back into an alligator. A traditional happy-ever-after follows, and readers will already have guessed what lasts forever. Primavera’s tale reads like a modernized folk tale, and Park ably captures every emotion in her watercolor-and-ink illustrations. Due to the lengthy series of plot twists, this title is best suited for an older audience.
Amusing, but probably not one children will ask for more than once. (Picture book. 5-8)Pub Date: Dec. 26, 2012
ISBN: 978-0-375-85585-6
Page Count: 48
Publisher: Robin Corey/Random
Review Posted Online: Oct. 9, 2012
Kirkus Reviews Issue: Nov. 1, 2012
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by Lisa Bowes ; illustrated by James Hearne ‧ RELEASE DATE: Sept. 3, 2019
It’s a slam dunk
Lucy discovers that the way to learn to play basketball is with friends on a neighborhood court.
Lucy loves playing in the park, and one day she and her friends join their friend Ava and her cousin in their new favorite sport: basketball. Pro player Jermaine, aka “Coach J,” teaches all the basics—footwork, quick passes, dribbling, and a variety of shots. But he also encourages the players to keep trying when they miss, stresses the value of teamwork, and focuses on fun as they learn and later play a practice game. At the end of the workout, Coach J invites the young players to watch him and his team play. Written in loose rhyming couplets, the text has many near rhymes and inconsistent meter. While the storyline is predictable, the book is a good introduction to basketball terms, and young basketball players and fans will appreciate reading about themselves. Vivid silhouetted figures against a white background portray male and female players of several races; Lucy herself is white while Ava and Coach J are black. One young player competes from a wheelchair. A half page of backmatter explains the history of basketball, the NBA and its players, and wheelchair basketball, and one entry also explains the three-on-three basketball that the children play. The book publishes in a simultaneous French edition translated by Rachel Martinez.
It’s a slam dunk . (Picture book. 5-8)Pub Date: Sept. 3, 2019
ISBN: 978-1-4598-1697-8
Page Count: 32
Publisher: Orca
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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by Lisa Bowes ; illustrated by James Hearne
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by Misty Copeland ; illustrated by Setor Fiadzigbey ‧ RELEASE DATE: Sept. 29, 2020
A predictable ballet tale for die-hard Copeland fans or as an introduction to Coppélia.
A young ballerina takes on her first starring role.
Young Misty has just begun taking ballet when her teacher announces auditions for the classic ballet Coppélia. Misty listens spellbound as Miss Bradley tells the story of the toymaker who creates a doll so lifelike it threatens to steal a boy’s heart away from his betrothed, Swanilda. Paired with a kind classmate, Misty works hard to perfect the steps and wins the part she’s wanted all along: Swanilda. As the book closes, Misty and her fellow dancers take their triumphant opening-night bows. Written in third person, the narrative follows a linear structure, but the storyline lacks conflict and therefore urgency. It functions more as an introduction to Coppélia than anything else, despite the oddly chosen title. Even those unfamiliar with Copeland’s legendary status as the first black principal ballerina for the American Ballet Theatre will predict the trite ending. The illustrations are an attractive combination of warm brown, yellow, and rosy mahogany. However, this combination also obscures variations in skin tone, especially among Misty’s classmates. Misty and her mother are depicted with brown hair and brown skin; Miss Bradley has red hair and pale skin. Additionally, there’s a disappointing lack of body-type diversity; the dancers are depicted as uniformly skinny with extremely long limbs. The precise linework captures movement, yet the humanity of dance is missing. Many ballet steps are illustrated clearly, but some might confuse readers unfamiliar with ballet terminology. (This book was reviewed digitally with 10.5-by-18-inch double-page spreads viewed at 48% of actual size.)
A predictable ballet tale for die-hard Copeland fans or as an introduction to Coppélia. (Picture book. 5-8)Pub Date: Sept. 29, 2020
ISBN: 978-0-399-54764-5
Page Count: 32
Publisher: Putnam
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
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