In this fifth slice-of-life story about Iris and Walter, last seen in The Sleepover (2002), our heroes are preparing for a class play where Iris will be a cricket and Walter will be a dragonfly. Iris loves to practice her lines and Walter enjoys creating the costumes with cardboard, paint, and scissors. But when rehearsals start, Walter has a little trouble remembering the words. Though Iris prompts him in rehearsal, Walter is still worried. What if he forgets his lines on the day of the play? Iris promises to help, but on the morning of the big day, Iris has a fever and has to stay home. Fittingly, she worries about her responsibility to her friend. She is deeply disappointed and still feels sad when she returns to school and has to hear all the excited reminiscences about the play, but the future holds promise. Though the stars here are Walter and Iris, and their dear friendship, Guest adds a dandy supporting cast in Grandpa, who is always there to say the right thing, and Miss Cherry, the understanding teacher with creative ideas and sensible solutions. Davenier’s swirling, lively watercolors capture Iris’s exuberance and Walter’s worrywart expression. The situation might be familiar and ordinary, but Guest has an exceptional gift for intelligently capturing all the angst and joy of stage fright and friendship for her audience. Henry and Mudge fans have some new friends in these likable pals. (Easy reader. 5-9)
Pub Date: April 1, 2003
ISBN: 0-15-216481-2
Page Count: 44
Publisher: Gulliver/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2003
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
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