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DEATH ON THE ISLAND

The evocative, isolated setting becomes the locked room in this Christie-esque whodunit.

Multiple murders blacken a diplomatic dinner in an icebound restaurant.

Reid’s atmospheric fiction debut creates suspense through a trio of murders, each of them alternating with flashbacks providing significant details doled out in teaspoons. In a murky prologue, Kristján Gunnarsson, later identified as the mayor of Vestmannaeyjar, encounters a corpse whom we later learn was his husband, Ari. Despite his fragile emotional state, Kristján is obliged to host a diplomatic dinner at the noted Skel restaurant on Heimaey, an island off the southern coast of Iceland. The attendees include Canadian ambassador Graeme Shearer and his wife, Jane, from whose perspective this section is presented. A double blow comes when a storm prevents the nine people present from leaving and Graeme’s deputy ambassador, Kavita, suddenly collapses and dies. Subsequent chapters, beginning with “Thirteen Hours Before She Died,” march forward to the tragic event. Noteworthy revelations include Kristján’s belief that Ari was murdered and Jane’s realization that Graeme is having an affair she’s the last to learn about. Before the solution to this second murder comes another section, kicked off with “Thirty-Seven Hours Before He Dies.” Again, the story moves forward in small chunks of time before the identities of both the killer and the third victim are revealed. Reid’s status as a Canadian native and former first lady of Iceland—her husband was president from 2016 to 2024—authentically informs both the Canadian perspective and the Icelandic setting. Her cast of suspects is vivid, even if their uniqueness is sometimes lost in the swirl of the complex puzzle.

The evocative, isolated setting becomes the locked room in this Christie-esque whodunit.

Pub Date: May 13, 2025

ISBN: 9781728292410

Page Count: 336

Publisher: Poisoned Pen

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE ENDING WRITES ITSELF

High-concept and highly entertaining.

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  • New York Times Bestseller

Fiction writers compete to finish a famous author’s abandoned novel.

Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.

High-concept and highly entertaining.

Pub Date: April 7, 2026

ISBN: 9780063444614

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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