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THE HOUSE IN THE ORCHARD

Readers will scramble to decide whom to trust, as misplaced faith leads to deadly outcomes.

A series of tragedies throw a young girl’s life into turmoil.

When Maude Gower dies in 1945, she leaves her estate, Orchard House, to her late nephew’s wife, Peggy, and their son, Laurie. Peggy should be delighted by this windfall, but her father-in-law Frank’s enigmatic misgivings about the dangers of the estate give her pause. Nevertheless, Peggy decides she will spend a night in Orchard House. There, she uncovers Maude’s childhood diaries—which turn out to make up the bulk of the book—and reads about the deaths of Maude’s parents and her subsequent move from London to Orchard House at age 13 in 1876. Maude has been put under the care of the mysterious Kitty Greenaway, or “The Feline,” as she's called by the girl's remaining relatives. As Maude adjusts to her new life in the countryside, she must decide if she’s going to put her faith in Kitty, whom she’s growing to love, or heed her brother’s urgent warnings: “Miss Greenaway is all charm and witchery, but whose judgement do you choose to trust, Maude? The brother whom you’ve known and loved all your life? Or a woman of dubious reputation, with whom you’ve been acquainted for less than a month?” Historically inclined readers will delight in Brooks’ attention to detail as Maude reaches for the cookbooks and thesaurus that would have been present in a Victorian household. But it is Brooks’ exceptional ability to create a wealth of characters who are at once innocent and manipulative, trustworthy and unwholesome, that is most notable.

Readers will scramble to decide whom to trust, as misplaced faith leads to deadly outcomes.

Pub Date: Sept. 27, 2022

ISBN: 978-1-953534-39-2

Page Count: 224

Publisher: Tin House

Review Posted Online: July 12, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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NASH FALLS

Hokey plot, good fun.

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  • New York Times Bestseller

A business executive becomes an unjustly wanted man.

Walter Nash attends his estranged father Tiberius’ funeral, where Ty’s Army buddy, Shock, rips into him for not being the kind of man the Vietnam vet Ty was. Instead, Nash is the successful head of acquisitions for Sybaritic Investments, where he earns a handsome paycheck that supports his wife, Judith, and his teenage daughter, Maggie. An FBI agent approaches Nash after the funeral and asks him to be a mole in his company, because the feds consider chief executive Rhett Temple “a criminal consorting with some very dangerous people.” It’s “a chance to be a hero,” the agent says, while admitting that Nash’s personal and financial risks are immense. Indeed, readers soon find Temple and a cohort standing over a fresh corpse and wondering what to do with it. Temple is not an especially talented executive, and he frets that his hated father, the chairman of the board, will eventually replace him with Nash. (Father-son relationships are not glorified in this tale.) Temple is cartoonishly rotten. He answers to a mysterious woman in Asia, whom he rightly fears. He kills. He beds various women including Judith, whom he tries to turn against Nash. The story’s dramatic turn follows Maggie’s kidnapping, where Nash is wrongly accused. Believing Nash’s innocence, Shock helps him change completely with intense exercise, bulking up and tattooing his body, and learning how to fight and kill. Eventually he looks nothing like the dweeb who’d once taken up tennis instead of football, much to Ty’s undying disgust. Finding the victim and the kidnappers becomes his sole mission. As a child watching his father hunt, Nash could never have killed a living thing. But with his old life over—now he will kill, and he will take any risks necessary. His transformation is implausible, though at least he’s not green like the Incredible Hulk. Loose ends abound by the end as he ignores a plea to “not get on that damn plane,” so a sequel is a necessity.

Hokey plot, good fun.

Pub Date: Nov. 11, 2025

ISBN: 9781538757987

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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I, MEDUSA

An engaging, imaginative narrative hampered by its lack of subtlety.

The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.

In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.

An engaging, imaginative narrative hampered by its lack of subtlety.

Pub Date: Nov. 18, 2025

ISBN: 9780593733769

Page Count: 336

Publisher: Random House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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