Chadwick's first, The Wild Hunt (1989), a cheerful early 12th- century adventure, featured that busy noble of the Welsh Marches, Lord Guyon of Ravenstow, blessed with political wits, warrior's skills, and a giant capacity to love and lust. Here, Guyon's foster son, Adam de Lacey, offers a reprise of all those good things as he handles some delicate missions for the totally untrustworthy Henry I of England, smites the enemy, and gentles the lovely Heulwen, daughter of Guyon by a deceased lass of lower degree (in Wild Hunt). Adam has just returned from escorting the furious widowed Empress Matilda, daughter of Henry I, back to England to be betrothed to some unlucky choice of Henry's. At home, Adam discovers that his foster sister Heulwen's husband has been killed and that she's now to wed (willingly!) thick-necked Warrin de Mortimer. Much sparring and evasions later, both discover a mutual love, and Adam sneaks Heulwen out of the marriage and lands himself a deadly enemy. From the Welsh Marches to the royal court and back again, the pair spat and mightily couple. Throughout, there are dangers and narrow escapes: hostages taken and released, a royalty- ordained trail-by-combat, and a ``melee'' featuring the nasty Warrin—his last dastardly act has posthumous consequences that threaten the marriage. All signs point encouragingly to a long, jolly series, which could run lightly through the Plantagenets—the first one here, Geoffrey, wed to the Empress Matilda. With action, bouncy sex, and believable historical figures: an easy-going companionable popular historical.
Pub Date: May 18, 1992
ISBN: 0-312-07793-9
Page Count: 336
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1992
Here, after last year's Of Love and Shadows, the tale of a quirky young woman's rise to influence in an unnamed South American country—with a delightful cast of exotic characters, but without the sure-handed plotting and leisurely grace of Allende's first—and best—book, The House of the Spirits (1985). When little Eva Luna's mother dies, the imaginative child is hired out to a string of eccentric families. During one of her periodic bouts of rebellion, she runs away and makes friends with Huberto Naranjo, a slick little street-kid. Years later, when she's in another bind, he finds her a place to stay in the red-light district—with a cheerful madame, La Senora, whose best friend is Melesio, a transvestite cabaret star. Everything's cozy until a new police sergeant takes over the district and disrupts the accepted system of corruption. Melesio drafts a protesting petition and is packed off to prison, and Eva's out on the street. She meets Riad Halabi, a kind Arab merchant with a cleft lip, who takes pity on her and whisks her away to the backwater village of Agua Santa. There, Eva keeps her savior's sulky wife Zulema company. Zulema commits suicide after a failed extramarital romance, and the previously loyal visitors begin to whisper about the relationship between Riad Halabi and Eva. So Eva departs for the capital—where she meets up with Melesio (now known as Mimi), begins an affair with Huberto Naranjo (now a famous rebel leader), and becomes casually involved in the revolutionary movement. Brimming with hothouse color, amply displayed in Allende's mellifluous prose, but the riot of character and incident here is surface effect; and the action—the mishaps of Eva—is toothless and vague. Lively entertainment, then, with little resonance.
Pub Date: Oct. 21, 1988
ISBN: 0241951658
Page Count: -
Publisher: N/A
Review Posted Online: Sept. 13, 2011
Kirkus Reviews Issue: Sept. 15, 1988
A magical, deeply felt novel that breathes new life into an old genre.
A German teenager whose family moves to Alabama gets a deep-fried Southern gothic education.
Max is gifted, but if you’re thinking “honors student,” think again. He touches dead animals or withered plants and they return to life; whether his power (or curse, as Max thinks of it) works on dead people is part of the story’s suspense. The curse comes with pitfalls: Migraines besiege him after his resurrections, and he craves gobs of sugar. This insightful novel isn’t a fantasy, and Hudson treats Max’s gift as quite real. In addition, Hudson, an Alabama native, memorably evokes her home state, both its beauty and its warped rituals. Max’s father is an engineer, and the car company where he works has transferred him to a factory in Alabama; Max’s parents hope living there will give him a clean break from his troubled love for his dead classmate, Nils. Max is drawn to Pan, a witchy gay boy who wears dresses and believes in auras and incantations. Pan is the only person who knows about Max’s power. But Max also becomes enchanted with the Judge, a classmate's powerful father who’s running for governor and is vociferous about his astringent faith in Christ after an earlier life of sin (it's hard to read the novel and not think of Judge Roy Moore, who ran for U.S. Senate from Alabama, as the Judge’s real-life analogue). The Judge has plans for Max, who feels torn between his love for outcast Pan and the feeling of belonging the Judge provides. But that belonging has clear costs; the Judge likes to test potential believers by dosing them with poison. The real believers survive. Hudson invokes the tropes of Alabama to powerful effect: the bizarre fundamentalism; the religion of football; the cultlike unification of church and state. The tropes run the risk of feeling hackneyed, but this is Southern gothic territory, after all. Hudson brings something new to that terrain: an overt depiction of queer desire, welcome because writers such as Capote’s and McCullers’ depictions of queerness were so occluded.
A magical, deeply felt novel that breathes new life into an old genre.Pub Date: May 19, 2020
ISBN: 978-1-63149-629-5
Page Count: 272
Publisher: Liveright/Norton
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
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