An entertaining, well-paced yarn, and a sequel that suggests another installment.
A spirited tale of the Old West, with outlaws, jewels, and a few good guys.
Crook brings back the likable narrator of her last novel, The Which Way Tree (2018). It’s two years later, around 1868, and 19-year-old Ben Shreve is working as a carpenter in Comfort, Texas, north of San Antonio. He’s still wondering about his half sister, Sam, who took off in the previous book to hunt down the panther that scarred her and killed her mother. Through an outhouse misunderstanding, Ben winds up sharing his wagon with a treasure hunter named Dickie Bell who has found some unusual jewelry and needs a lift to the gulf town of Indianola. They pick up a man whose horse was stolen by highway robbers, “imposter Indians...dressed up like chiefs,” and who refuses to tell them his name. Down the road a piece, the stranger is shot to death by a young pregnant woman whose stagecoach was being attacked by the same imposters who hijacked the unnamed man, who were then interrupted by a different group of bandits. Nell and her 4-year-old son, Tot, continue with Ben and Dickie. Why she shot the man has to do with marital discord and a vicious outlaw taken from Texas history named Cullen Baker, a.k.a. the Swamp Fox, some of whose men are pursuing Tot. Other perils include a rabid coyote and a rattlesnake. Certain threats may lose their sting because some survivors are obvious, given that the story is told in the form of a long letter from Ben to Tot. As in the last novel, Crook notes Ben’s knowledge of Moby-Dick, but the guiding spirit here feels more like Dickens than Melville. Crook has a gift for engaging details, such as the simple comfort, to a young carpenter raised poor, of a room with a bed and chair and “a nicely carved chest of drawers, with a washbowl atop it, and a small rug alongside the bed.”
An entertaining, well-paced yarn, and a sequel that suggests another installment.Pub Date: Nov. 7, 2023
ISBN: 9780316564342
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 1, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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