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A SLAVE IN THE WHITE HOUSE

PAUL JENNINGS AND THE MADISONS

An important story of human struggle, determination and triumph.

The former director of education at James Madison’s Montpelier debuts with the biography of Paul Jennings, a slave who grew up with the Madisons, was with the former president when he died, gained his freedom and sired many descendants.

Because Jennings for much of his life was considered merely property, Taylor had to be satisfied with a skeleton of fact, which she fleshes out with imaginative and thorough research, careful supposition and heavy contextual description. Jennings himself contributed a slim document, included here as an appendix, A Colored Man’s Reminiscences of James Madison, which originally appeared in 1863. Throughout, Taylor reminds us of the moral failures of the Founding Fathers, especially their unwillingness to accept the notion that black people should enjoy the benefits of freedom so eloquently expressed in the nation’s founding documents. Although Jennings testified to the kindness of Madison, he was still willing to buy and sell human beings. Dolley Madison does not come off so well. We hear about her petulance, excessive spending (she died in near poverty) and wastrel son from her first marriage. One admirable white man does emerge: Daniel Webster, who loaned Jennings the money to purchase his freedom (after Madison died), allowing him to work off the debt. But this is Jennings’ story, and the author admirably keeps the focus on him—though there are occasional detours to explore context and speculate. Born in 1799, Jennings somehow learned to read and write and gradually assumed enormous importance in the Madisons’ lives—both in Virginia and at the White House, where he was instrumental in saving a portrait of George Washington from the 1814 British assault. In 2009 his descendants met at the White House to honor their ancestor.

An important story of human struggle, determination and triumph.

Pub Date: Jan. 3, 2012

ISBN: 978-0-230-10893-6

Page Count: 336

Publisher: Palgrave Macmillan

Review Posted Online: Sept. 20, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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