In a spirited, feminist debut, musician Eulberg traces the resilience of a 16-year-old suburban high-school junior who turns her disappointment in love into a happy affirmation of autonomy and friendship. When Penny Lane Bloom is jilted, she turns for solace to the only guys who have never broken her heart: John, Paul, George, and Ringo. Tired of the boy runaround, Penny starts the Lonely Hearts Club, devoted to “the benefits of being single,” with herself as the only member. Soon, however, the other girls at McKinley High School join with enthusiasm (and some occasional cattiness), like Diane Monroe, the once-clingy arm fixture of star athlete Ryan Bauer, now destined for the basketball team. Swearing off boys might be a beautiful notion, but it’s short-lived, as even Penny is tempted by Ryan, and the school principal fears a boys’ backlash. The dialogue-heavy adventure addresses tender teen concerns of conformity versus self-preservation, but the formulaic plotting doesn’t lift this effort above the rest, despite the mildly amusing Beatles gimmick. (Fiction. 14 & up)
Pub Date: Jan. 1, 2010
ISBN: 978-0-545-14031-7
Page Count: 320
Publisher: Point/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2009
A deftly balanced mix of history, intrigue, and romance.
Against the backdrop of World War II, four young women codebreakers put their minds together to find a serial killer.
It’s early 1943, and Arlington Hall, a one-time girls’ school in Virginia, is now the site of a covert intelligence facility where an 18-year-old former maid secretly assumes the new identity Kit Sutherland and becomes a codebreaker. A night out turns deadly when one of their own is murdered, and Kit stumbles across her body in the bathroom. Kit, roommate Dottie, and Moya, the supervisor of their floor, work alongside Violet, one of the Black girls from the segregated codebreaking unit, to bring the culprit to justice. As the budding friends turn their sharp minds and analytical abilities to covertly investigating what turns out to be a series of murders, Kit struggles to keep her own dangerous secret—and her attraction to Moya—under wraps. Meanwhile, Moya will do everything in her power to help her girls while trying not to fall in love with Kit. The novel deftly addresses questions of inequality across class, race, and sexuality in a story that combines well-researched historical background with a nifty whodunit, a strong focus on friendship, and an empowering queer romance. The narrative follows Kit and Moya, making them the better developed characters in the largely White cast. An author’s note includes many resources about the real women whose behind-the-scenes espionage work informed this story.
A deftly balanced mix of history, intrigue, and romance. (Historical thriller. 14-18)Pub Date: Sept. 20, 2022
ISBN: 978-0-316-33958-2
Page Count: 384
Publisher: Little, Brown
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
A warm, optimistic transgender coming-of-age and queer romance.
Sixteen-year-old Miles has two goals for the year: beat his rival at the Tri-State Piano Competition and win back his ex-boyfriend.
Miles Jacobson, a White trans boy from Wisconsin, had been dating Shane McIntyre for a year before Miles came out and Shane broke up with him. He believes that if Shane really loved him, his gender shouldn’t matter. But Miles’ New Year’s resolution to win Shane back is complicated by the arrival of Eric Mendez, a cute Latine guy who actually is queer and also likes Miles. As Miles works toward his piano goals with Stefania Smith, his demanding new teacher, a romance blossoms with Eric—even though Miles still has Shane on the brain. Underhill makes it clear in a preface that this is a joyful queer story, and it lives up to that promise. The book captures the delight of being not just accepted, but also understood—as well as the pains of being misunderstood. It celebrates Miles’ real triumphs, from finding a suit that fits to mastering a Tchaikovsky concerto. Miles is likable and relatable as he tries to discover who he is on his own terms, not based on what others think of him. The author has chosen to include Miles’ birth name prominently; this is uncomfortable but realistic for someone early in his transition. The supporting characters, especially Stefania, are well developed and bring life to Miles’ world.
A warm, optimistic transgender coming-of-age and queer romance. (author's note) (Romance. 14-18)Pub Date: Feb. 14, 2023
ISBN: 978-1-250-83520-8
Page Count: 320
Publisher: Wednesday Books
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
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