An engaging tale about family, maturation, and love.
A YA novel offers a coming-of-age story about life’s uncertainties facing a New York City teenager.
Carly Klein, a high school sophomore, is a smart Jewish girl (she “read the captions to New Yorker cartoons when she was four”) on the verge of becoming an adult in the early 1980s. Yet she is struggling at Baxter, a girls’ school on 79th Street and the East River. She lives with her parents: Gwen, a psychiatrist on staff at Mount Sinai Hospital who counsels patients in her home office, and Joel, who works in a Midtown advertising office. Carly’s best friend, Lauren Lensky, has a French mother (Tibou) and a comfortable, welcoming home—the opposite of her own home. Carly dreams of being Tibou’s daughter and secretly reads her mother’s confidential patient notebooks. Through these notebooks, Daniel Strauss becomes Carly’s favorite patient. Daniel is a “blind junior at Columbia College who majors in music and plays jazz saxophone.” Carly impulsively decides to follow Daniel one night. She also sneaks out to the Downunder Café, where Daniel is playing his saxophone one evening. At the cafe, she sees Edwin, her father’s assistant, with her dad and must face a new reality. Later, posing as a girl named Serena, she becomes a reader for Daniel, which complicates her life further. Harlan’s believable and compelling depiction of Carly’s home life includes a mother becoming absorbed in her work and a father coming out as gay. In this well-crafted tale, the turmoil between her parents results in Carly heading to a camp in Colorado. She doesn’t want to go, so she fights packing and hates the camp once there. Additionally, Harlan’s vivid portrait of Lauren’s loving family provides a rich contrast and an escape for Carly. A minor flaw surfaces in the scene in which Carly follows Daniel. Readers may question: Why isn’t Daniel or his dog aware of her presence? Wouldn’t he or his pooch eventually hear or smell her? But this minor misstep doesn’t spoil an engrossing story.
An engaging tale about family, maturation, and love.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: April 12, 2024
Review Program: Kirkus Indie
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
