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PRETTY IS

Dreading her life as she makes the transition from elementary school to middle school, Erin fears her upcoming summer—maybe her whole life will stretch into dismal boredom, because Kayla, her “best friend,” is palling around with someone else, rejecting her with ambiguously sarcastic yet damning comments. Lonely and stuck with her unpopular sister who knits and plays basketball, her black mood navigates the plot and intensifies her experiences. There is no comfort zone, only fear, depression and stress, silently moving the anguished conversational prose to expected disaster. Expertly, Holmes manipulates the text and mood, as a new friend holds Erin’s hand to the scissors, and in a daze, Erin cuts off the luminous curls of her once best friend. This urgent dark tone has a compelling immediacy. Her loving family, a bright spot, brings quick repercussions and appropriate punishments, helping her to face consequences and herself. This first-time novelist realistically creates the angst-filled tween’s world with darkness and hope, the bright “pretty” cover and title a sardonic link to life’s complexities. And how great a nickname for a new middle-schooler: Scissors. (Fiction. 10-12)

Pub Date: May 1, 2007

ISBN: 978-0-525-47813-3

Page Count: 224

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2007

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THE BAD BEGINNING

The Baudelaire children—Violet, 14, Klaus, 12, and baby Sunny—are exceedingly ill-fated; Snicket extracts both humor and horror from their situation, as he gleefully puts them through one terrible ordeal after another. After receiving the news that their parents died in a fire, the three hapless orphans are delivered into the care of Count Olaf, who “is either a third cousin four times removed, or a fourth cousin three times removed.” The villainous Count Olaf is morally depraved and generally mean, and only takes in the downtrodden yet valiant children so that he can figure out a way to separate them from their considerable inheritance. The youngsters are able to escape his clutches at the end, but since this is the first installment in A Series of Unfortunate Events, there will be more ghastly doings. Written with old-fashioned flair, this fast-paced book is not for the squeamish: the Baudelaire children are truly sympathetic characters who encounter a multitude of distressing situations. Those who enjoy a little poison in their porridge will find it wicked good fun. (b&w illustrations, not seen) (Fiction. 10-12)

Pub Date: Sept. 30, 1999

ISBN: 0-06-440766-7

Page Count: 162

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

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THE SCHOOL STORY

A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)

Pub Date: June 1, 2001

ISBN: 0-689-82594-3

Page Count: 160

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2001

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