Frustrating, fascinating, and wicked entertainment.
An obsessive friendship leads to tragedy, one lie at a time.
Jane Baxter and Marnie Gregory were the best of friends until Marnie’s marriage drove them apart. Jane hated Charles from the beginning, but to avoid a confrontation with Marnie, she told her she thought they were good together—the first of seven lies that led to Charles’ death and Jane’s undoing. The story begins with this plot spoiler and counts down to the moment when it happened. It’s as if Jane is begging the reader to get through the first few chapters. Fortunately, there’s more drama to follow. Jane’s own husband, Jonathan, died a while ago in a terrible accident. And the coincidence of two best friends losing two husbands in close succession has a nosy reporter scrambling to do the math, but with little evidence, the accusation doesn’t stick. Jane isn’t an especially likable character. The value she places on her friendship is relatable right up to the point when it leaves her morally bankrupt. It's no surprise when Jane’s frantic efforts to keep her friend close after Charles’ death pushes her away instead. The real tension lies in learning the truth about Jane's intentions—and the person who hears her confession.
Frustrating, fascinating, and wicked entertainment.Pub Date: June 16, 2020
ISBN: 978-1-9848-7971-4
Page Count: 352
Publisher: Pamela Dorman/Viking
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
A fun take on a big question.
“Love the one you’re with” is the song’s advice, but is that really still the best approach?
When Lauren, a single woman in London, returns home a little tipsy after a friend’s hen party, she encounters a strange man in her flat. He sounds like he knows her and, despite her concerns, doesn’t seem to represent a threat. It takes some time for Lauren to figure out that he’s actually the husband she’s somehow acquired in another life. It takes her more time to figure out that the attic over her flat, courtesy of an electrical malfunction, will be sending her an apparently endless stream of husbands once she sends each previous one back upstairs—this is not a novel about bigamy. Lauren finds her own circumstances (job, hairstyle, decorating scheme) changed with each subsequent spouse, and she eventually realizes this is not a “time loop” she’s in; time is advancing as she works her way through her possible spouses. Some of the husbands are tolerable, some attractive, some complete “no’s” (who wants to spend a lifetime with someone who likes to nestle the tip of their nose in the corner of your closed eye?). Gramazio’s often comedic fantasy rom-com proceeds from an unlikely premise, but the plot allows the author to explore current attitudes and approaches to dating and mating from a fresh perspective: Given the infinite variety of people in the world, how can you know “the one” when there may be a better one just around the corner (or descending the attic staircase)? Lauren’s madcap romp with the parade of spouses takes a few serious turns, particularly when one is reluctant to climb back upstairs, but the makings of a comic miniseries are all here.
A fun take on a big question.Pub Date: April 2, 2024
ISBN: 9780385550611
Page Count: 352
Publisher: Doubleday
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
SEEN & HEARD
A quick, biting critique of the publishing industry.
What happens when a midlist author steals a manuscript and publishes it as her own?
June Hayward and Athena Liu went to Yale together, moved to D.C. after graduation, and are both writers, but the similarities end there. While June has had little success since publication and is struggling to write her second novel, Athena has become a darling of the publishing industry, much to June’s frustration. When Athena suddenly dies, June, almost accidentally, walks off with her latest manuscript, a novel about the World War I Chinese Labour Corps. June edits the novel and passes it off as her own, and no one seems the wiser, but once the novel becomes a smash success, cracks begin to form. When June faces social media accusations and staggering writer’s block, she can’t shake the feeling that someone knows the truth about what she’s done. This satirical take on racism and success in the publishing industry at times veers into the realm of the unbelievable, but, on the whole, witnessing June’s constant casual racism and flimsy justifications for her actions is somehow cathartic. Yes, publishing is like this; finally someone has written it out. At times, the novel feels so much like a social media feed that it’s impossible to stop reading—what new drama is waiting to unfold. and who will win out in the end? An incredibly meta novel, with commentary on everything from trade reviews to Twitter, the ultimate message is clear from the start, which can lead to a lack of nuance. Kuang, however, does manage to leave some questions unanswered: fodder, perhaps, for a new tweetstorm.
A quick, biting critique of the publishing industry.Pub Date: May 16, 2023
ISBN: 9780063250833
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 22, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
BOOK REVIEW
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