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THE WOLF IS COMING!

A father rabbit thumps the alarm of the title, setting off a wild cumulative chase as the fleeing rabbit family is joined by a hen and her chicks, a sow and her piglets, and a cow and her twin calves. The animals take temporary refuge in chicken coop, pigsty, and cow shed, but none of these structures is secure; finally, everyone squeezes into the old gray donkey's shed, which bulges at the seams with various animal parts sticking out of the cracks. When the wolf arrives, pandemonium ensues. Shrieking with fright, the animals ``all let their breath out at once,'' and the shed explodes in a glorious climax, scaring the poor old wolf away. Full of action and detail, Brown's watercolors lead the eye through the growing gaggle of frightened animals, who run pell- mell from left to right across full-bleed spreads, until the final explosion seems to fly right off the page. Appropriately chaotic and fun. (Picture book. 3-7)

Pub Date: Feb. 1, 1998

ISBN: 0-525-45952-9

Page Count: 32

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1997

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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I'LL LOVE YOU FOREVER

Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender...

A polar-bear parent speaks poetically of love for a child.

A genderless adult and cub travel through the landscapes of an arctic year. Each of the softly rendered double-page paintings has a very different feel and color palette as the pair go through the seasons, walking through wintry ice and snow and green summer meadows, cavorting in the blue ocean, watching whales, and playing beside musk oxen. The rhymes of the four-line stanzas are not forced, as is the case too often in picture books of this type: “When cold, winter winds / blow the leaves far and wide, / You’ll cross the great icebergs / with me by your side.” On a dark, snowy night, the loving parent says: “But for now, cuddle close / while the stars softly shine. // I’ll always be yours, / and you’ll always be mine.” As the last illustration shows the pair curled up for sleep, young listeners will be lulled to sweet dreams by the calm tenor of the pictures and the words. While far from original, this timeless theme is always in demand, and the combination of delightful illustrations and poetry that scans well make this a good choice for early-childhood classrooms, public libraries, and one-on-one home read-alouds.

Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender restrictions. (Picture book. 3-6)

Pub Date: Sept. 1, 2017

ISBN: 978-1-68010-070-9

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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