An astonishing work of ethology that asks—and answers clearly—a question about dogs that's so simple that, apparently, no one has ever tackled it before: ``What do dogs want?'' Thomas—a trained scientist and novelist who brings her storytelling skills (The Animal Wife, 1990, etc.) fully to bear in this beautifully written study—explains that, years ago, she realized that ``despite a vast array of publications on dogs, virtually nobody...had ever bothered to ask what dogs do when left to themselves.'' And so she set out to ask just that, first by unobtrusively bicycling along with a two-year-old husky, Misha, as the dog went about its daily roamings in the Cambridge, Massachusetts, area. Thomas's findings about Misha and ten other dogs (including a dingo) that followed him into her life— supplemented by her fieldwork with wolves—cause this report to be about ``dog consciousness'' as, through an elegant recap of her observations, the author convinces us that dogs can, among other skills, create customs; adopt human mannerisms; choose between alternatives; play games; and exhibit a moral sense (this made clear through the amazing incident in which a tiny pug stops a much larger dog from terrorizing some pet parakeets and mice). Just as impressively, Thomas depicts—without anthropomorphizing—a dog world bound by rules like hierarchism but one nonetheless in which each canine is a complex individual. Particularly fascinating is her account of the ``romantic love'' between Misha and his mate, Maria, in which the female remains monogamous even while in heat, as well Thomas's story of how her dogs, left wholly to their own devices, secretly dig a wolflike den behind a woodpile. What, then, do dogs want? ``They want to belong, and they want each other.'' Popular science of the highest order: revelatory, impeccably observed, and a joy to read. A four-woof salute to Thomas and a vigorous tail-wag to boot. (Drawings—not seen)
Pub Date: Aug. 3, 1993
ISBN: 0-395-66958-8
Page Count: 160
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1993
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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