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A LONG GAME

NOTES ON WRITING FICTION

A witty, generous guide.

Pithy nuggets on writing well.

Novelist, short story writer, and memoirist McCracken draws on her experiences as a student, writer, and creative writing teacher to offer 280 concise reflections—not rules, but guidelines—on writing fiction. Confessing a dislike for craft books and skepticism about the value of workshop critiques, still she acknowledges the value of sharing insights, some gleaned from teaching, many from failures and frustrations in her own work. “I try not to dispense imperatives,” she says. Organized by “vague broad concepts, digressions, flights of fancy,” the book covers topics typical of any writing guide: generating ideas, outlining, types of narrators (first person, singular or plural; second person; third). “All narrative decisions,” McCracken advises, “are more interesting when you think about the mobility they grant you instead of the mobility they restrict.” Narrators, in other words, should fit a writer’s goals. “Beware of any dispenser of writing advice who deems one sort of narrator better than another.” Writers would do well to be wary of any hard and fast rules: about the use of present or past tense, punctuation, and process. “No process is wrong that leads to the first draft of a book,” she asserts. As for the dictum “Write what you know,” she thinks it’s simply silly. “If you already know it—if there’s no mystery—what’s the point in writing it?” She does hold strong opinions, though, on such matters as adverbs, writing about children, and the much-debated concept of “voice.” She cautions beginning writers against looking for approval: “Why do I write these days? I want to be loved. But I don’t care whether anybody approves of me.” Every writer, she believes, has the same mantra: “I am a genius with much to learn.”

A witty, generous guide.

Pub Date: Dec. 2, 2025

ISBN: 9780063375291

Page Count: 208

Publisher: Ecco/HarperCollins

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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THAT'S A GREAT QUESTION, I'D LOVE TO TELL YOU

A frank and funny but uneven essay collection about neurodiversity.

An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.

From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.

A frank and funny but uneven essay collection about neurodiversity.

Pub Date: Oct. 28, 2025

ISBN: 9780063381308

Page Count: 272

Publisher: Morrow/HarperCollins

Review Posted Online: Sept. 12, 2025

Kirkus Reviews Issue: Oct. 15, 2025

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HISTORY MATTERS

A pleasure for fans of old-school historical narratives.

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  • New York Times Bestseller

Avuncular observations on matters historical from the late popularizer of the past.

McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”

A pleasure for fans of old-school historical narratives.

Pub Date: Sept. 16, 2025

ISBN: 9781668098998

Page Count: 208

Publisher: Simon & Schuster

Review Posted Online: June 26, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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